Though wilderness and the environment were his grand passions, photography was his calling, his metier, his raison d'etre. From: Ansel Adams, Photographer
Let this list of 37 quotations by the American photographer Ansel Adams lead you to an inspirational day. Recharge yourself with motivational photograph, photography, print sayings, and satisfy your hunger for a better life.
What are the best Ansel Adams quotes?
We've made this hand-picked collection of quotes to show you what is Ansel Adams truly willing to say and leave for generations. Whether an inspirational quote or a motivational message about giving your best, we can all benefit from the wisdom, captured within these words.
In wisdom gathered over time I have found that every experience is a form of exploration.
Sometimes I do get to places just when God's ready to have somebody click the shutter.
A true photograph need not be explained, nor can it be contained in words.
Once destroyed, nature's beauty cannot be repurchased at any price.
There are always two people in every picture: the photographer and the viewer.
It is horrifying that we have to fight our own government to save the environment.
The negative is comparable to the composer's score and the print to its performance. Each performance differs in subtle ways.
In my mind's eye, I visualize how a particular.
.. sight and feeling will appear on a print. If it excites me, there is a good chance it will make a good photograph. It is an intuitive sense, an ability that comes from a lot of practice.
Photography is more than a medium for factual communication of ideas. It is a creative art.
When I'm ready to make a photograph, I think I quite obviously see in my minds eye something that is not literally there in the true meaning of the word. I'm interested in something which is built up from within, rather than just extracted from without.
Some photographers take reality... and impose the domination of their own thought and spirit. Others come before reality more tenderly and a photograph to them is an instrument of love and revelation.
You don't take a picture, you make a picture.
Twelve significant photographs in any one year is a good crop.
Photography has escalated almost exponentially! It is a language which covers almost every aspect of communication; factual and expressive.
The [35mm] camera is for life and for people, the swift and intense moments of life.
I've always thought photography was an art form, but it had very low appreciation in the beginning, except for some Europeans, and of course Stieglitz. Stieglitz always considered photography to be an art form and is the "father" of the creative concepts of the twentieth century.
Photograph not only what you see but also what you feel.
It is my intention to present - through the medium of photography - intuitive observations of the natural world which may have meaning to the spectators.
I have often thought that if photography were difficult in the true sense of the term-meaning that the creation of a simple photograph would entail as much time and effort as the production of a good watercolor or etching-there would be a vast improvement in total output. The sheer ease with which we can produce a superficial image often leads to creative disaster.
We must remember that a photograph can hold just as much as we put into it, and no one has ever approached the full possibilities of the medium.
There are worlds of experience beyond the world of the aggressive man, beyond history, and beyond science. The moods and qualities of nature and the revelations of great art are equally difficult to define; we can grasp them only in the depths of our perceptive spirit.
Photography and photographers have an inevitable development.
They progress more or less by steps. Every five or ten years some new point of view is developed and young people are inclined to follow it.
There are two people in every photograph the photographer and the viewer.
It is all very beautiful and magical here - a quality which cannot be described.
You have to live it and breathe it, let the sun bake into you. The skies and the lands are so enormous, and the detail so precise and exquisite that wherever you are you are isolated into a glowing world between the macro and the micro, where everything is sidewise under you and over you, and the clocks stopped long ago.
Millions of men have lived to fight, build palaces and boundaries, shape destinies and societies; but the compelling force of all times has been the force of originality and creation profoundly affecting the roots of human spirit.
There still is some opposition to it in some museums and art schools, but I think photography has really grown into a mature art form.
Photographers and artists contribute a lot to the world and have a right to exist in relative security and comfort.
These people live again in print as intensely as when their images were captured on old dry plates of sixty years ago... I am walking in their alleys, standing in their rooms and sheds and workshops, looking in and out of their windows. Any they in turn seem to be aware of me.
Now there is a big turnover in the galleries.
The top galleries are getting better all the time. A lot of galleries just struggle along, then a new one comes along. There are certainly a great number of galleries. I think this argues well for the art but there are, of course, a lot of "phonies" in all the arts.
I tried to keep both arts alive, but the camera won.
I found that while the camera does not express the soul, perhaps a photograph can!
Knowing what I know now, any photographer worth his salt could make some beautiful things with pinhole cameras.
I think photography is being recognized and collected.
Its values have certainly gone up and continue to go up.
I do not think there is any question of photography being an art form!
Dodging and burning are steps to take care of mistakes God made in establishing tonal relationships.
Yosemite Valley, to me, is always a sunrise, a glitter of green and golden wonder in a vast edifice of stone and space.
The photo-journalist and the photo-poet are both important.
The problem is to separate the major objectives of the various groups and not to attribute qualities and intentions where they do not belong.
We were in the shadow of the mountains, the light was cool and quiet and no wind was stirring. The aspen trunks were slightly greenish and the leaves were a vibrant yellow.
I think we can not categorize. Things do not fit into a mold.
No man has the right to dictate what other men should perceive, create or produce, but all should be encouraged to reveal themselves, their perceptions and emotions, and to build confidence in the creative spirit.