I rarely see one of the 'summer blockbuster' movies. I'd like to see a stronger focus on smaller, smarter movies.— Christopher Meloni
The most impressive Christopher Meloni quotes that will add value to your life
You couldn't pay me enough to be a law enforcement officer.
Their job is a tough job. You have to solve people's problems, you have to baby-sit people, you have to always be doing this cat-and-mouse game with the bad guys. My respect for them is immense.
But when you're a working actor - and that's what you keep saying in your head, how blessed you are to have a job - and you are working with heavyweights, working with the best guys in TV, it's pretty cool. Exhausting, but cool.
It ain't easy to break out of a mold, but if you do your work, people will ultimately see what you're capable of. Too often, people find it easier to make assumptions and stick with what they believe. They put you in a place and it makes their job easier. The good people constantly search for something different.
The surprising thing about fatherhood was finding my inner mush.
Now I want to share it with the world.
My wife has brought great beauty into my life.
And my daughter has brought me nothing but joy. Those qualities were greatly lacking.
If you take life at face value, it loses its luster pretty quickly.
If you go after it, you get more out of it.
You can be childlike without being childish.
I love my children beyond all reason. They're my joy, even when they're wild with kid energy.
De Niro was a hero of mine. And Sean Penn. But I've realized I can't operate at that level of intensity. That's okay for movies. On TV, when you live with horror day in and day out, you have to protect yourself.
I love feeling the crispness of fall and the sensuality of spring.
Hate is a draining bottomless pit from whence nothing good or of any value can come. Try to eat a balanced diet. Guys only want one thing.
I took acting classes in college, and once I graduated, I decided to give acting a shot when I couldn't really think of anything else to do. It took me a couple of years to get an agent, and my first big break was The Fanelli Boys, which was a sitcom on NBC. Then I did a few television movies.
I've got the best of all worlds. It's every actor's dream to wake up in New York City and go to an acting job rather than to a restaurant to wash dirty dishes. And I live so close to the studios that I ride my bike to work.
If I could only get people to rub my belly for good lucky and then throw money in my fountain, it'd be a perfect world.
The reason why I hate working in theatre is the tedium of memorisation.
But once that is done, then you feast on this never-ending meal. If you play it correctly, every night is fraught with very high stakes that are very difficult to find in everyday life.
I have worried about getting pigeon-holed, but now I think I've done enough weird, offbeat stuff not to be. And I also know that I do things for the right reasons: I've made my money, so I don't have to say yes to anything.
Life is never straightforward or emotionally black and white.
I had no expectations about fatherhood, really, but it's definitely a journey I'm glad to be taking. Number one, it's a great learning experience. When my mother told me it's a 24/7 job, she wasn't kidding.
I didn't get into acting to be a public service announcer or an advocate and yet, by virtue of this show and how we handle the subject matter that we've been given, that's kind of how it's evolved in certain ways.
I think we present extreme aspects of human behavior and hopefully get at times, messages across or bring issues to the table or as we so often say, shed light into the dark crevices of human nature
I'm so busy these days. I forget everything but my lines.
Look, I hate to sound like Pollyanna, but I literally can't wait to get to work in the morning. I've got steady jobs, I've got my health, and I'm here in the greatest city in the world. I'd be a pig not to be grateful.
I love to act. I need to act. It's the big itch I need to scratch.
I love my lifestyle now, but at the end of nine months, you're toast.
You are toast. It's like running a marathon. You can't think while you're doing it. Especially when different directors come in who are not part of the posse, the circle.
This is a dream come true. To wake up in a place that I own and go to work in New York City as an actor - I feel like Mary Tyler Moore throwing her friggin' hat in the air.
I really love to act; I love everything about it. I've never had this addiction to being known. I mean, sure, if you go into acting, there's part of you that is saying, 'I want attention' but I was brought up to work to deserve attention, and it is the work, not the trappings that are important.
On the secret to a lasting marrige: One of you has to be sane, and the other one is only allowed to be insanne occasionally. We take turnes on who gets to be wich person
People don't know where to place me. Terry Gilliam used me as a quirky cop in 'Twelve Monkeys', and then he hired me again to be an effeminate hotel clerk in 'Fear and Loathing in Las Vegas'. Another time, I was shooting this indie film 'The Souler Opposite' and six days a week, I'm playing this big puppy dog, then I come to the 'NYPD Blue' set and become this scumbag.
When I portray Stabler, I have to shave every day and cut my hair every week! And then, I really like to change my looks for films like 'Harold and Kumar Go to White Castle' where I have the pleasure of playing the ugliest man in the world.
I never find sincerity offensive... so, be sincere.
In my own defense, I wrote a one-man show, and that to me was more where I fit.
It's great to be recognized when I'm looking for a table at a crowded restaurant, but I still don't put it to best use. I'm such a lump. I won't cut the line. It's my Catholic guilt. I gotta get used to it.
I had great faith in Irish actors, that they'd be hip to the whole theatre thing, and they are. I had no illusions of coming over here as some kind of big shot. It's been a learning experience for me too.
It is a weird feeling to have people go, "Hey Chris" like they know me.
But, number one, 99 percent of my experiences have been really cool. People couldn't be nicer and more positive.
It's always been kind of weird to me because when you give someone an autograph, you're looking down at a piece of paper and once you sign it the person moves on.
I take this art very seriously and passionately.
I love what I do. You can't help but grow. That's not to say you don't make mistakes or make bad choices, but that's part of the art. Painters paint bad paintings.
It's just nice to work hard and be rewarded, which is having lots of people watch. And the icing on the cake is for me is to be able to walk around with pride, feeling that the product you put out is worthy of being watched. But honestly, it's not a big deal. I don't put too much stock in fame or celebrity anyway. I don't put it in the 'important' box.
I don't get called very often to play innocents.
I'd like to go away for six months and learn to kiteboard and windsurf.
I love pinochle, I love chess and I love windsurfing.
TV's hard work. I don't know how the hell Angela Lansbury survived doing 'Murder, She Wrote' all those years.
I think to be a successful comic, you have to be exceptionally smart and exceptionally perceptive.
I still have a dream of one day - I would love to hire a semi-retired contractor and just build a house - him and I building a house for me. I would truly love to do that.
If you try hard enough, you can bend the spoon; you can shift reality.
Whoever envisions not one but two series in New York?
I'm always learning from experiences because each one is different and there are different players involved in the project at the time with their own way of doing things.
I'm a nudist at heart.
TV's hard work. I don't know how the hell Angela Lansbury survived doing 'Murder, She Wrote' all those years. And sure, everyone wants to be Bruce Willis or George Clooney - they want to be in film for the range of characters you get to play.