32+ Dan Deacon Quotes On Being, Energetic And Experimental

Dan Deacon is an American composer, producer, and performer from Baltimore, Maryland. He is known for his experimental and electronic music, often incorporating complex and intricate structures. He has released eight studio albums, as well as several EPs, singles, and remixes. Following is our collection on famous quotes by Dan Deacon on love, being, energetic.

Top 10 Dan Deacon Quotes

1. You can have a table full of gourmet food, but the minute you put a box of Entenmann's doughnuts out, that's all people are gonna talk about.
2. Going back to the paradigm we live in, the only way to do music is if I can sustain living off of it. If I can't live off of it, I'm not going to be able to make as much music.
3. When music becomes a job, you all of a sudden have other jobs and you become like a manager of time. If you have no ability to do that, your job gets very hard very quickly.
4. Live performances make music important. Recording is cool and fun, and it's nice to document the thing you made, but the goal in my mind is to perform.
5. It's weird how people hate getting older.
6. The main thing I want to do is make people feel more connected and more active.
7. It was never the goal to be a solo performer. It was just something that made the most sense at the time.
8. For the last three years, I've been working on 'Bromst,' and that's all that encompassed my brain. And now that it's out, it will change the way that I think musically.
9. I really do like seeing other people perform my music. It's one of the most rewarding things for me, so it's worth the extra work.
10. You know, most people called rap stupid when it started, and it was one of the most innovative music forms of its time.

Dan Deacon Short Quotes

• I've since become really good at overwhelming myself.
• I wanted to start working on something that had a lasting effect.
• I throw ideas out into the open when I really should just be writing them down in a journal.

Dan Deacon Famous Quotes And Sayings

I think there is going to be a large paradigm shift in a few years, and it could either be to a new age of enlightenment and unity and we'll be raised to a new level of consciousness, or it could be a return to a dark age of kings and mass, open oppression followed by a die-off of human culture. — Dan Deacon

If you've become a huge act and you're still doing the same music you wrote with your friends when you were making zero dollars, you're lazy. — Dan Deacon

Finishing a song is definitely the hardest part. It's, you know, you can polish it forever and then whittle it down into something it wasn't and be like, "I need to build it back up," which is why some tracks have 400 versions. But I guess you know when it's done when...I have a maximalist approach to sound when I can't find any more space to put new sounds. — Dan Deacon

I think the best live shows take you out of the moment into somewhere else and I really...This can be true of recorded music too but my favorite live experience is sort of this transcendendent - is that the word? Transcendental? — Dan Deacon

That's tangent, but I like the strategizing and thinking about how things are going to fall and thinking of different ways to engage with fans. Ultimately, the goal is for the music to be heard by as many people as possible. — Dan Deacon

I think a lot of electronic musicians are drawn to starting with texture because the whole reason we're working with electronics is to try to create new sounds or sounds that cannot be created acoustically. When you're doing that, it's nice to be able to just create a different palette for every single song. I feel like a lot of electronic music sounds like...Each album sounds like a compilation more than it does a band. — Dan Deacon

Obviously, selling out is an issue but it's almost like an uncanny valley where you can be pretty unpopular for a while but you'll have die-hard fans that love you. Then as you get more popular, it'll be great and people will be excited for you and then you get to this middle-level popularity and people are like, "Oh, you're not famous but you're also not - we know who you are." You're just this like hideous disfigured music. — Dan Deacon

When I went to school, it was really just to immerse myself in listening to, studying, and making music. I came out like, "How is this going to be more than a hobby I'm always paying off debt for?" I could've sat at a desk and written pieces for orchestras that never would have been played, or I could've written music for me as a performer. I play electronics, and the places I was gonna be playing were bass clubs and house parties. — Dan Deacon

The smaller the instrument or more hidden it is such as electronics, the more esoteric it becomes and in my mind becomes boring watching someone go like this and that has no direct... It's just a complete abstract motion, not attach to any sound. — Dan Deacon

I think the hardest part is figuring out what to say no to because the whole start of your career is just begging anybody to let you perform or to contribute music to something. Then it's like turning on a faucet because the moment it's on, people are like, "Oh, you can do stuff? All right. Well, you want to do it every single thing? — Dan Deacon

I thought I wouldn't enjoy the business side of music, but it's fun because it is completely - like running a DIY venue was the same exact thing but just on a smaller scale and a DIY tour is the same thing. You're just running a small business. Like we live within the paradigm of capitalism. Even if I'm going in playing these anarcho spaces, I still have to buy gas. — Dan Deacon

I do subscribe to the 2012 theory, but regardless of the date, it's hard not to notice that humans are polluting the earth with humans, that soon it'll be difficult to get water to people and find land to grow food on. The infrastructures that hold up cities are going to be harder to maintain, and the resources that make it possible are going to be harder to find. I'm not even talking about oil; I'm talking about, like, steel. — Dan Deacon

I'm often just writing just to write. I'm not writing with...If I write, like, sitting down with a goal in mind, it's always, like, the worst. It turns into a ska song even if I'm trying to write like a horror movie sound track or something. — Dan Deacon

I need to start honing in on projects that I want to devote my time to and not put my energies into the unattainable ones. — Dan Deacon

It's hard not to sell out because once, you know, I grew up with working-class parents who definitely, definitely would be disappointed if I didn't take particular jobs being like, "What are you talking about? I would have worked years for that money in like, actual physical labor." So there's a privilege to not selling out. You already have to be in a position where you can look at that money and not care about it. — Dan Deacon

I think as this generation of electronic musicians goes on, popular electronic music will be more and more accepted. It's gonna get less confusing. You know, most people called rap stupid when it started, and it was one of the most innovative music forms of its time. — Dan Deacon

I just wanted to make a record that wasn't escapism. Like, I didn't want to write another record that was devoid of meaningful content. — Dan Deacon

I don't think there's anything wrong in being an entertainer because if at the end of the day people want to forget about their problems or to process their problems through something joyous, I think that's ultimately what my role in this is. — Dan Deacon

I always want my mouth to be like two steps ahead of my brain and I want my hands to move without thinking. I want to be able to dive into my computer or use my controllers without having to be, like, "Hmm, what would be a good choice here?" You just want music to happen like the same way the sweat's rolling off my face. — Dan Deacon

Life Lessons by Dan Deacon

1. Dan Deacon's work demonstrates the importance of collaboration and experimentation in the creative process, allowing for the creation of unique and unexpected music.
2. His music also shows the power of embracing technology and pushing the boundaries of what is possible in the musical world.
3. Finally, his work highlights the importance of having fun and being open to new ideas, which can lead to exciting and innovative musical creations.