Hands up if you’re ready to do something you’ll regret this weekend. Go forth! You have my blessing.— Florence Welch
The most pleasurable Florence Welch quotes that are new and everybody is talking about
When I'm singing I'm always trying to get to the highest point possible.
I'd fly to the top of Buckingham Palace to sing to the queen.
I think I should get a bigger between-the-song persona, so then I'm not wandering around the stage like some mad old auntie that's saying hello to people and falling over.
I like a house party and fancy dress, a big fan of fancy dress, like dress up, costume parties.
Having a soul, they say, is like taking sadness and turning it into something beautiful.
I want my music to sound like throwing yourself out of a tree, or off a tall building, or as if you’re being sucked down into the ocean and you can’t breathe… It’s something overwhelming and all-encompassing that fills you up, and you’re either going to explode with it, or you’re just going to disappear.
I try to maintain a healthy dose of daydreaming, to remain sane.
I was a heavy heart to carry My beloved was weighed down My arms around his neck My fingers laced to crown. I was a heavy heart to carry My feet dragged across ground And he took me to the river Where he slowly let me drown My love has concrete feet My love's an iron ball Wrapped around your ankles Over the waterfall
I like the idea of not being afraid of letting your imagination rule you, to feel the freedom of expression, to let creativity be your overwhelming drive rather than other things.
Sometimes I find that music is so much more attractive than love.
I don’t know… It’s like some kind of euphoria, that love can’t bring to you.
You should have high expectations for yourself and others should come second.
I have this sensation of being in flight all the time, but being on stage is like creating a sanctuary in which you can completely lose yourself. The bits of your personality that you keep under wraps in ordinary life, you can let them run free.
For me, ‘Dog Days’ symbolizes apocalyptic euphoria, chaotic freedom and running really, really fast with your eyes closed.
I’m attracted to the idea of drowning.
Or rather the idea of jumping off and being enveloped by something, not bad or good, just enveloping. When I was a kid, I had a moment when I got under the water, lying on the pool floor, and felt I could breathe. I’ve been trying to recreate that feeling ever since.
Worst nightmares can also appear with your eyes open.
Music to me is so internal. It's physical and it's emotional. Whereas fashion is so much about the external that it's almost like a break. It's not inner turmoil. It's total escapism.
When you're heartbroken, you're at your most creative - you have to channel all your energies into something else to not think about it. Contentment is a creativity killer, but don't worry - I'm very capable of making myself discontented.
'Spectrum' is in part a disco song. But we play it hard, and it's a real euphoric, wailing tune. It's kind of like a total house anthem, in a way, but it seems to be going down really well. We've got all the grunge kids going mad for disco house raves.
A lot of the songs on the new album are about imaginary things, things that you can't touch - ghosts and rumors, my dead grandmother, things visiting you in a dream.
I tend to lose myself in the moment. I’m not very good at holding back. I don’t know how to do this without feeling everything. My emotions are the tool I use to perform.
I've got quite a vivid imagination and I'm easily overwhelmed by sensations and things that are beautiful or scary. I don't think I've ever seen a ghost - I think I'm probably haunted by my own ghosts than real ones.
I definitely have a real self-destructive streak.
My room is like an antique shop, full of junk, and weird stuff.
There's a big sword in there. And a taxidermy bird, and a couple of birdcages. And a lot of newspaper cuttings. I used to have a weird thing about cutting out morbid headlines from newspapers, and collecting them. I was fascinated with drowning, which is kind of strange.
I get in fights with my sister all the time.
She comes on the road with me and we fight - like sisters do.
It's always darkness before the dawn.
I always seem to feel that everything is about to cave in on me.
I think that maybe music is my protection from that and in some senses it's an outlet to turn it into something euphoric: embracing the eventual decline.
I think music should be scary. Music is an exorcism.
I'd gone from being this art student messing about with music to this girl with a record deal, magazine front covers and all this hype. In many ways, it was everything I ever wanted, but when it happened all I felt was total, paralysing fear.
I think I just have a problem generally in life of wanting more of everything - more emotion, more drama, more glitz.
I was always that girl growing up who you could find dancing down supermarket aisles. It's that sense of not feeling inhibited. Dancing in supermarkets is my favorite thing.
I'm down to bleach my eyebrows again.
I tell you what, though - that didn't go down well with my boyfriend. Girls love it. Guys, not so into it.
I was having a conversation with my father and he was talking about this thing - strangeness and charm. It's actually the name of the two smallest particles that there are when you split the atom, so I wrote a song around it. I even managed to fit the word 'hydrogen' in there. Isn't that a nice thing for scientists to call them though?
It’s good to be vulnerable in amongst the grandeur;
you shouldn’t lose that sense of intimacy and vulnerability with people.
Maybe in music you're making an auditory environment and maybe you change your environment around you to suit your own way.
I'm a light sleeper. I've never been one of those people who can put their head down and suddenly everything disappears. Nighttime is the time I get most scared, anxious or worried. In those darker moments before waking or sleeping is when I feel most, I don't know, I can turn on myself, and my imagination can take me dark places.
I don't want your future, I don't need your past. One bright moment Is all I ask.
You live and you learn.
I've built my wardrobe color palette around red, so I'm happy with it, but I do get pangs when I see beautiful brunettes. I've already been blue, green, black, and blonde.
At the beginning of my career I was going through a really weird phase of dressing in boys clothes. I would only wear one American Apparel T-shirt and shorts and brogues the whole year round. Not the same T-shirt, obviously, but one style of American Apparel T-shirt. I think I was going through a tomboy stage.
I'm completely in love with the world but also terrified of it.
It creates some overwhelming feelings. Wanting to battle out that joy and fear is part of my music.
If you asked me to go back to being 14 or 15, I couldn't - it was a terrifying time. I was so awkward in my own skin. I used to hide behind my hair because I was so ridiculously self-conscious.
I saw 'The Artist.' It's really beautiful and it's all done to the letter with all the silent film techniques. The costumes were amazing and the dog is so good.
I've spent a lot of time in tiny venues in the way that I got my record deal and got my name out there just performing live. I was literally performing my songs in all kinds of different ways with different guitarists, and I didn't have an album up online or anything. It's been a lot of work; it definitely hasn't been a sudden explosion into fame.
I've always been attracted to romantic secondhand clothes.
But my style developed as I started going to these strange raves where everybody had these very definitive costumes.
I'd experimented with so many different types of music.
I had these folky songs I'd written and recorded, but something wasn't quite right.
I've always been a bit of a decorator.
I think if I wasn't a singer I'd probably be in stage setting or interior design or something. I like clutter and I'm quite visually greedy. I can't have things to be plain; I have to have things looking interesting maybe I'm just a frustrated interior designer stuck in a singing career.
Lay me down, Let the only sound, Be the overflow, Pockets full of stones.
I started off singing in church as a child.
The sound of voices coming together, that was my first moment of touching something outside of myself.
There's such an extreme feeling to be in love, especially in quite an emotionally destructive relationship, where you're both kind of really bad for each other, but you love each other so much. Those extreme emotions, I think, can only be described with extreme imagery.
The Teenage Cancer Trust does incredible work supporting and caring for teenagers and young adults with cancer, and it's a cause that is really close to me and my family.