Smile and others will smile back. Smile to show how transparent, how candid you are. Smile if you have nothing to say. Most of all, do not hide the fact you have nothing to say nor your total indifference to others. Let this emptiness, this profound indifference shine out spontaneously in your smile.— Jean Baudrillard
The most attractive Jean Baudrillard quotes that are guaranted to improve your brain
We live in a world where there is more and more information, and less and less meaning.
The very definition of the real becomes: that of which it is possible to give an equivalent reproduction. The real is not only what can be reproduced, but that which is always already reproduced. The hyper real.
The desert is a natural extension of the inner silence of the body.
The obese is in a total delirium. For he is not only large, of a size opposed to normal morphology: he is larger than large. He no longer makes sense in some distinctive opposition, but in his excess, his redundancy.
Deep down, the US, with its space, its technological refinement, its bluff good conscience, even in those spaces which it opens up for simulation, is the only remaining primitive society.
The Yuppies are not defectors from revolt, they are a new race, assured, amnestied, exculpated, moving with ease in the world of performance, mentally indifferent to any objective other than that of change and advertising.
The sumptuous age of stars and images is reduced to a few artificial tornado effects, pathetic fake buildings, and childish tricks which the crowd pretends to be taken in by to avoid feeling too disappointed. Ghost towns, ghost people. The whole place has the same air of obsolescence about it as Sunset or Hollywood Boulevard.
A society which allows an abominable event to burgeon from its dung heap and grow on its surface is like a man who lets a fly crawl unheeded across his face or saliva dribble from his mouth -- either epileptic or dead.
At male strip shows, it is still the women that we watch, the audience of women and their eager faces. They are more obscene than if they were dancing naked themselves.
We are becoming like cats, slyly parasitic, enjoying an indifferent domesticity.
Nice and snug in the social, our historic passions have withdrawn into the glow of an artificial coziness, and our half-closed eyes now seek little other than the peaceful parade of television pictures.
Postmodernity is said to be a culture of fragmentary sensations, eclectic nostalgia, disposable simulacra, and promiscuous superficiality, in which the traditionally valued qualities of depth, coherence, meaning, originality, and authenticity are evacuated or dissolved amid the random swirl of empty signals.
There is no aphrodisiac like innocence.
The war was won on both sides: by the Vietnamese on the ground, by the Americans in the electronic mental space. And if the one side won an ideological and political victory, the other made Apocalypse Now and that has gone right around the world.
Today's terrorism is not the product of a traditional history of anarchism, nihilism, or fanaticism. It is instead the contemporary partner of globalization.
Laughter on American television has taken the place of the chorus in Greek tragedy. In other countries, the business of laughing is left to the viewers. Here, their laughter is put on the screen, integrated into the show. It is the screen that is laughing and having a good time. You are simply left alone with your consternation.
To love someone is to isolate him from the world, wipe out every trace of him, dispossess him of his shadow, drag him into a murderous future. It is to circle around the other like a dead star and absorb him into a black light.
Disneyland is presented as imaginary in order to make us believe that the rest is real.
History that repeats itself turns to farce. Farce that repeats itself turns to history.
Nothing is wholly obvious without becoming enigmatic. Reality itself is too obvious to be true .
Driving is a spectacular form of amnesia.
Everything is to be discovered, everything to be obliterated.
Philosophy leads to death, sociology leads to suicide.
When the real is no longer what it used to be, nostalgia assumes its full meaning.
It only takes a politician believing in what he says for the others to stop believing him.
[I]nside every computer, there is a hidden man being bored.
Democracy is the menopause of Western society, the Grand Climacteric of the body social. Fascism is its middle-aged lust.
Every woman is like a time-zone. She is a nocturnal fragment of your journey. She brings you unflaggingly closer to the next night.
Photography is our exorcism. Primitive society had its masks, bourgeois society its mirrors. We have our images.
Perhaps our eyes are merely a blank film which is taken from us after our deaths to be developed elsewhere and screened as our life story in some infernal cinema or dispatched as microfilm into the sidereal void.
Man has lost the basic skill of the ape, the ability to scratch its back.
Which gave it extraordinary independence, and the liberty to associate for reasons other than the need for mutual back-scratching.
As the end of the century approaches, all our culture is like the culture of flies at the beginning of winter. Having lost their agility, dreamy and demented, they turn slowly about the window in the first icy mists of morning. They give themselves a last wash and brush-up, their oscillated eyes roll, and they fall down the curtains.
The only thing worse than being bored is being boring.
Santa Barbara is a paradise; Disneyland is a paradise; the U.S. is a paradise. Paradise is just paradise. Mournful, monotonous, and superficial though it may be, it is paradise. There is no other.
The surprises of thought are like those of love: they wear out.
But here too you can carry on for a long time doing your conjugal duty.
If you say, I love you, then you have already fallen in love with language, which is already a form of break up and infidelity.
Television knows no night. It is perpetual day. TV embodies our fear of the dark, of night, of the other side of things.
We are no longer in a state of growth;
we are in a state of excess. We are living in a society of excrescence. The boil is growing out of control, recklessly at cross purposes with itself, its impacts multiplying as the causes disintegrate.
The great person is ahead of their time, the smart make something out of it, and the blockhead, sets themselves against it.
Cowardice and courage are never without a measure of affectation. Nor is love. Feelings are never true. They play with their mirrors.
Contact with men who wield power and authority still leaves an intangible sense of repulsion. It's very like being in close proximity to fecal matter, the fecal embodiment of something unmentionable, and you wonder what it is made of and when it acquired its historically sacred character.
In the same way that we need statesmen to spare us the abjection of exercising power, we need scholars to spare us the abjection of learning.
Never resist a sentence you like, in which language takes its own pleasure and in which, after having abused it for so long, you are stupefied by its innocence.
There is nothing funny about Halloween.
This sarcastic festival reflects, rather, an infernal demand for revenge by children on the adult world.
One of the pleasures of travel is to dive into places where others are compelled to live and come out unscathed, full of the malicious pleasure of abandoning them to their fate.
Neither dead nor alive, the hostage is suspended by an incalculable outcome.
It is not his destiny that awaits for him, nor his own death, but anonymous chance, which can only seem to him something absolutely arbitrary. He is in a state of radical emergency, of virtual extermination.
We shall never resolve the enigma of the relation between the negative foundations of greatness and that greatness itself.
Pornography is the quadraphonics of sex.
It adds a third and fourth track to the sexual act. It is the hallucination of detail that rules. Science has already habituated us to this microscopics, this excess of the real in its microscopic detail, this voyeurism of exactitude.
The opposite of knowledge is not ignorance, but deceit and fraud.
The liberated man is not the one who is freed in his ideal reality, his inner truth, or his transparency; he is the man who changes spaces, who circulates, who changes sex, clothes, and habits according to fashion, rather than morality, and who changes opinions not as his conscience dictates but in response to opinion polls.
The need to speak, even if one has nothing to say, becomes more pressing when one has nothing to say, just as the will to live becomes more urgent when life has lost its meaning.