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Biology gives you a brain. Life turns it into a mind.
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The book has many different characteristics: some are extremely old-fashioned storytelling traits, but there are also a fair number of postmodern traits, and the self-consciousness is one.
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A changeableness, too, as if beneath my visible face there was another, having second thoughts.
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On the morning the last Lisbon daughter took her turn at suicide- it was Mary this time, and sleeping pills, like Therese- the two paramedics arrived at the house knowing exactly where the knife drawer was, and the gas oven, and the beam in the basement from which it was possible to tie a rope.
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But what humans forget, cells remember. The body, that elephant
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When I wrote The Virgin Suicides, I gave myself very strict rules about the narrative voice: the boys would only be able to report what they had seen or found or what had been told to them.
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The essential matrimonial facts: that to be happy you have to find variety in repetition; that to go forward you have to come back to where you begin.
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We felt the imprisonment of being a girl, the way it made your mind active and dreamy, and how you ended up knowing which colors went together. We knew that the girls were our twins, that we all existed in space like animals with identical skins, and that they knew everything about us though we couldn’t fathom them at all. We knew, finally, that the girls were really women in disguise, that they understood love and even death, and that our job was merely to create the noise that seemed to fascinate them.
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He knew a lot about his grandparents - and perhaps he feels he's been endowed with abilities to go into people's heads who are long dead - but, to a certain extent, he's making it up.
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The Statue of Liberty's gender changed nothing.
It was the same here as anywhere: men and their wars.
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At the same time, it's a family story and more of an epic.
I needed the third-person. I tried to give a sense that Cal, in writing his story, is perhaps inventing his past as much as recalling it.
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It wasn't conscious, but I guess that one book is the reaction to the other.
The first is so imprisoned in a male point-of-view, and the second is a point-of-view that can go anywhere it wants.