24+ Karin Tidbeck Quotes On Mysterious, Surreal And Dreamlike

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Top 10 Karin Tidbeck Quotes

  1. I have control of my own style.
  2. I can write a story in working-class Stockholm Swedish, but I'm not going to assume I can perform the same feat with Cockney. I'll focus on adventures in story, themes and structure instead.
  3. Time is built entirely on consensus: humans decide that they have linear time, so they do.
  4. I'm not comfortable with categorizing my own work, but I don't mind if others talk about it in relation to genre as long as they don't try to hold it up to some genre standard.
  5. Some of my other stories are talked about as fantasy, some as horror, and some aren't talked about as genre at all. And the same story will be labeled differently depending on country.
  6. I don't go out of my way to write Weird Fiction, or in any other genre. Some of my stuff easily slips into the Weird slot.
  7. I don't consider genre while writing.
  8. I'm just being honest about the fact that a second language won't resonate with you like the first does.
  9. What I do with the story itself varies of course, but what I want to do is to present the world so that the reader can access it without tripping over the details.
  10. I want my voice to be consistent no matter if it's an original or a translation.

Karin Tidbeck Short Quotes

  • Happily, fantastic fiction is slowly gaining in status.
  • You have to be aware what the consequences are of the approach you take.
  • I've always been fascinated by the concept of time.
  • To the goats, all people are equal, except for those who have treats.
  • Worldbuilding to me is taking the consequences of an idea.

Karin Tidbeck Famous Quotes And Sayings

My early stories revolved around reality and faith. I wrote a series of stories about the darker aspects of Christian myth: a woman who hides in the attic and watches the Apocalypse, a cult whose members preserve themselves in huge formalin tubs waiting for the Second Coming, and so on. — Karin Tidbeck

All my stories and worlds spring from the basic principle of being a slave to the premise, to follow the consequences wherever they may lead without taking any easy or comfortable ways out. — Karin Tidbeck

Some stories I write in Swedish, some in English. Short stories I've almost exclusively written in English lately, mostly because there's such a small market for them in Sweden and it doesn't really pay either. So, the translation goes both ways. What also factors in is that I have a different voice in English, which means that a straight translation wouldn't be the same as if I'd written it in English originally. — Karin Tidbeck

Your first thought is often the best one. You know, the one that felt too weird or silly or stupid. Trust your imagination - it knows what it's doing. — Karin Tidbeck

I think that the more alien and strange a world or situation is, the more concise you have to be if you want the reader to follow you. It depends on what effect you're looking for. — Karin Tidbeck

What does seem to be a constant is that I write more emotional stories the older I get. I think a lot of that has to do with growing up in a patriarchal structure where unemotional intellect (male) is taken more seriously than delving into emotions (female), and gradually freeing myself from those expectations. — Karin Tidbeck

If you want the reader to accept the premise as a given, then being specific is vital. This is what I'm after; I want the reader to accept the setting and the mindset of the characters, so we can get on with the story. — Karin Tidbeck

When I returned to short stories, I'd started working on what is still central to much of what I try to do: putting myself in the place of the alien rather than describing it from an outside point of view. — Karin Tidbeck

I do love the weird, and I realize that I write much in that tradition, so I'm happy to be counted in among some of my favorite authors. — Karin Tidbeck

Life Lessons by Karin Tidbeck

  1. Karin Tidbeck's work emphasizes the importance of embracing the unknown and trusting in the power of the imagination.
  2. Her stories often explore themes of identity, transformation, and the power of the collective.
  3. Through her work, she encourages readers to explore their own inner worlds and to embrace the beauty of the unknown.
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