24+ Lorin Stein Quotes On Education, Woman And Health

Lorin Stein is an American editor. He is the editor of the Paris Review, a literary magazine, and was previously the senior editor at Farrar, Straus and Giroux. He is known for his work in promoting and publishing emerging writers and poets. Following is our collection on famous quotes by Lorin Stein on education, love, leadership.

Top 10 Lorin Stein Quotes

1. For me the question that you have to ask, about any magazine, is whether it's needed, whether it's publishing things that no one else could publish, or publish equally well. So there's that.
2. If you wrote about sex the way Jim [Salter] writes about sex in nonfiction, you would be a sociopath.
3. I’m a reader who uses fiction as a way of worrying about life.
4. In general, short stories are less read than before, they're less published than before and, not surprisingly, they're less taught than before.
5. The real threat to reading isn’t the time we spend hanging out, it’s the time we spend online.
6. I don't know what people should be reading. Only you know what you should be reading.

Lorin Stein Famous Quotes And Sayings

A lot of people who want to see the short story have a renaissance of readership - they tend to think of short stories, and sometimes poems too, as being well-suited to the way we now live, with all of these broken-up bits of time. I hope they're right, but my sense is that our fiction reading has become, if anything, more cherished as a kind of escape from fragmentation. — Lorin Stein

I've never thought that it made sense to put something out that I didn't actually find really fun to read. Or, if not "fun," engaging. My tastes are whatever they are, but I may be a little bit afraid of certain kinds of density. I may get turned off by certain kinds of show-offyness. — Lorin Stein

Names don't matter, CVs don't matter, previous publications don't matter at all, because, in a certain way, the ideal is for someone to come completely out of left field. And still, of course, it is hard to say no to a writer who matters a lot to you and who you know matters to your readers. — Lorin Stein

Chekhov's stories are about the moment that a life goes off the rails and the price that will be paid - forever. That's a typical Chekhov story for you. Something that you're used to lying in bed worrying about at four in the morning, before you have the psychic defenses to kid yourself and tell yourself to get up and shower and go to the office. — Lorin Stein

You can go back and try to generalize, but then you end up saying things that all editors say about everything that ever gets published. Something about voice, about urgency, about actually having a story to tell. — Lorin Stein

I tend to think that the onus is on the writer to engage the reader, that the reader should not be expected to need the writer, that the writer has to prove it. All that stuff might add up to a kind of fun in the work. I like things that are about interesting subjects, which sounds self-evident. — Lorin Stein

We've never had a giant circulation. And we've always been a magazine for writers and for sophisticated readers. We've never had to run stories that would appeal to a million people. And what you end up with is a kind of tradition that might have staying power - the cockroach after armageddon. — Lorin Stein

There are two basic defenses for an open ending: one is, If you read carefully enough, you'll know what happened. And the other is, That's how life is: things don't come to neat endings, there isn't a "happily ever after." But if you take that second line of defense, then I think you have to make the point that the writer has shown the range of possibility. — Lorin Stein

I'm more thrilled by the short fiction than I expected to be. I've found more pleasure in reading short fiction than I used to. By seeing what kinds of thinking are going on in short fiction. I was also surprised by the panic I've felt, especially at first, when we'd put an issue to bed and then realized we had to put another one together. — Lorin Stein

It used to be that you would go into a writing program and what you would learn was how to write a short story. You would pick up the magazines and you would be taught from the magazines how to write a short story. Nowadays student writers are learning to write novels because that market is gone, so the ones who are drawn to the form are doing it really for reasons of their own and that's really exciting. — Lorin Stein

When I was a book editor, I got used to being told that my tastes were dark or edgy. These are not words that would've occurred to me, but I was told that enough that I have to believe it's true - that I like things that some other people find off-putting or upsetting. My job is to publish stuff that I really, really care about. That might mean that it doesn't sit well with everybody. — Lorin Stein

If I could change the attitude of young men toward literature, I would want them to read not just for escape, but because literature can be more truthful about things like sex, commitment, and aging. It can be more truthful about the stuff that our parents lied to us (and themselves) about, and the stuff that everyone has to lie about. It can all be dealt with truthfully in fiction and poetry. — Lorin Stein

I hadn't thought about the balance in mood. You see that we did it in alphabetical order, so if there's any kind of shape, or any kind of flow, it's random. Gender...we didn't think much about it. It was sort of interesting to see that women often were choosing women and men often were choosing men. And sometimes they wouldn't and that was fun. I didn't know that I would be excited by that, until I saw it happen. — Lorin Stein

I like fiction that deals with matters that are of burning importance to us in our private lives. And not all short stories are like that. In general, short stories - and maybe this is a little bit off-topic - but I think short stories have this bad association with, like, waiting rooms. — Lorin Stein

I don't think much about the issues after they come out. I like it when people like them. Often, when people have criticisms, I find myself agreeing with them. I think some issues are stronger than others. I hope we're getting a little bit better, overall, issue by issue. — Lorin Stein

I have the feeling that the magazine can reach many more people than it reaches and has something to offer that not everyone knows who should know it. That's why we're starting an app, and that's why we do the blog. But editorially, I think it's mainly a matter of keeping your eyes peeled. You just really don't know what's going to come along. — Lorin Stein

I love having people around who are better interviewers than I am and who can make the time to do a really great job. All of the interviews that we've published are with people who really interest me. — Lorin Stein

So, short stories have an even harder time, because they tend to get read during the day, between other things. They're interstitial. And yet the content of short stories tends to be very much "nighttime" content. — Lorin Stein

Life Lessons by Lorin Stein

1. Lorin Stein's work as an editor has taught us the importance of taking risks and pushing boundaries in order to create something truly unique and special.
2. He has also shown us the value of hard work and dedication in order to achieve success in the publishing industry.
3. Lastly, his work has demonstrated the power of collaboration and the importance of working with a team in order to create something truly remarkable.