53+ Matthew Specktor Quotes On God, Discipline And Discipleship

Matthew Specktor is an American novelist and screenwriter. He is the author of the novels American Dream Machine and That Summertime Sound. He also wrote the screenplay for the movie The Last Word, which starred Shirley MacLaine and Amanda Seyfried. Following is our collection on famous quotes by Matthew Specktor on leadership, love, god.

Top 10 Matthew Specktor Quotes

1. Sacrificing one's life on the altar of literature is in some ways like sacrificing a goat to some malicious spirit. It's not always a humane or necessary decision.
2. Hollywood is famous for breeding monsters, and having worked in the business, I've known a lot of them. But only intermittently have I ever found them monstrous. They have many other qualities.
3. I think it's what fiction is for: to illuminate that gap between our secret selves and our more visible and apparent ones.
4. Good fiction necessarily encompasses our limited understandings of one another, and of ourselves.
5. I like writing sentences. It's tactile and exciting. Whereas working at the level of the scene is a more cerebral pleasure.
6. I've always felt that the basic unit of writing fiction is the sentence, and the basic unit of the screenplay is the scene.
7. People don't seem to have a problem with a romanticized New York, in fact that's almost all they ever do, in some sense, is romanticize that place. Los Angeles deserves the same courtesy.
8. Even though I think writers can sometimes thrive from being misread. It can give them something to push off of.
9. We go to literature because it shows us some set of humane values. It is showing us how to live.
10. A Good Soldier is one of my favorite novels, for various reasons. But the class question is a good one, because it's not always easy to empathize with privileged people.

Matthew Specktor Short Quotes

• Great books are written from a sense that there is nothing to lose.
• It's hard to imagine there's a place for great writing inside a multinational conglomerate.
• I have very mixed feelings about the movie business, and about Los Angeles in general.
• I think writers can gain a lot of vitality from being misread.
• The novelist is frequently considered to be an impediment.
• Sometimes it seems to me that the celebration of a person is really just a prelude to ridicule.
• I do have complicated feelings about Hollywood, but I also have tremendously affectionate ones.

Matthew Specktor Quotes About Love

I grew up with such mixed feelings about LA, but I do love it. I grew up lectured by Woody Allen, for example, that LA was absurd, worthy of ridicule and contempt. Most people seem to describe Los Angeles as elementally despicable, or as someplace that requires an apology. — Matthew Specktor

These are the kind of movies that only a real apparatchik, someone who thinks that corporations are people, could love. — Matthew Specktor

When I moved to SF in my early 20s, I loved it, but I was absolutely astonished to discover that people there hated L.A. I was just like why? Really? I had no idea. — Matthew Specktor

Matthew Specktor Famous Quotes And Sayings

People will continue to make movies. But I do think the economic model of the studio movie is closing in on a kind of systemic collapse. — Matthew Specktor

There's a kind of perverseness or betrayal in that idea that art is somehow superior to life. Or that it's more important to write well than it is to take out the garbage. — Matthew Specktor

A lot of talent, a lot of the currency that movies used to have, has spilled over into TV. People talk about TV the way they used to talk about movies and, as much as I hate to say it, the way they used to talk about books. — Matthew Specktor

I don't want to say that having power is overrated, but powerlessness can give rise to a different kind of authority, and that's the kind of authority that writes books. — Matthew Specktor

I don't feel like I'm self-conscious about what's next. I don't care. I know what it's like to be ignored, and I know what it's like not to be. — Matthew Specktor

My own sense is that fiction is inching its way over to join poetry on the cultural margin. It's an area of passionate concern for me, as for many people, but it's nowhere near as central to the culture as it used to be. — Matthew Specktor

I think having power ingrains people with a conservatism. There's a tendency to hedge one's bets. (Which explains a lot, actually, about why the movie business is the way it is, and why the publishing industry is too.) — Matthew Specktor

Every snotty egotistical teenager thinks they're smarter than the world they crawled out of. It didn't take me so long to grow out of that. I think I was only in my early twenties when I realized I was just relying on received ideas. — Matthew Specktor

My parents were very patient with my pretentious little adolescent snobberies. It took me awhile to accept them. — Matthew Specktor

I think being central to the culture is overrated. Who really gives a damn if something is popular? Jay-Z isn't actually any better than James Joyce even though more people understand him. — Matthew Specktor

There was a moment when the Berlin Wall came down and some people felt, "Oh capitalism won. That's the ideology we can believe in now." — Matthew Specktor

I was so very interested in literature and so relatively uninterested in the movies when I was a teenager. — Matthew Specktor

I sometimes get asked if I think about film stuff while I'm writing fiction, and the answer is, of course not. — Matthew Specktor

I think the publishing industry is dismayingly like the movie business. It grows more corporate by the day. — Matthew Specktor

I'm going to write what I feel like writing, which is a great place to be. But it can be hard to get there. It's so easy to get stricken with one kind of self-consciousness or another. — Matthew Specktor

Everybody says, TV is great, the writer has so much power. I'm still trying to convince myself that's true. When do the writers ever have power? Ever? They don't. Even in the book industry. — Matthew Specktor

Our need to identify with representative figures is something that never goes away. We still find those in novels. We find those in television. We find them in movies. We find them all over the place. — Matthew Specktor

My mom was a screenwriter. I saw a lot of people who didn't seem very fulfilled creatively or otherwise by their roles in the motion picture industry. — Matthew Specktor

Usually when people say they have mixed feelings about something, it's a sort of euphemistic way of saying they hate it. — Matthew Specktor

One of the weird things about L.A. is that there's always a set of negative perceptions that attaches itself to this city. — Matthew Specktor

I worked in the mail room at CAA when I was in high school. I worked in the literary department, too. That was my after school job, believe it or not: I would read manuscripts and then evaluations on whether or not I thought they'd make good movies. Which was fascinating and kind of hilarious to me at the time. — Matthew Specktor

The 90s were the decade in which studio filmmaking became a much more purely corporatized process, when their crassness ceased to operate on such a relatively individual scale. — Matthew Specktor

I've always found too that somewhere in whatever you've just written lies the seed of what you're going to write next. — Matthew Specktor

Much to my surprise, there's a sense for people in the cable industry that fiction writers might actually be good at script writing. You can write dialogue! — Matthew Specktor

Jay-Z isn't actually any better than James Joyce even though more people understand him. I'm more interested in what's meaningful within the lives of individuals. And fiction will always be central to the lives of certain people, which is all that matters. — Matthew Specktor

The feature film business, the studio film business, feels to me like there's just nowhere else to go. It's like a record that's just skipping at the end, with the needle stuck in the run-out groove. — Matthew Specktor

I thought, writing is everything, it's so much more important than this or that. If only I could give that young man a stern talking to. Having a child changes things quite a bit. — Matthew Specktor

We're a culture that's obsessed with people who make and who squander ridiculous amounts of wealth, which seemed an obsession well worth interrogating in a novel. That probably accounts for what some have called the book's "sweeping" feel, but I don't know that I set out to be cinematic. I wouldn't know how to do that in a novel, specifically. — Matthew Specktor

It's hard enough to make a novel a novel. I wouldn't know how to make it something else at the same time — Matthew Specktor

During the 90s, I watched a lot of people getting fat and prosperous, and I thought, culture itself is the casualty of this. — Matthew Specktor

You look at the absolute scorn that gets poured on a fallen celebrity, whether it's Tom Cruise or Lindsay Lohan or Marlon Brando, or Elvis when he got fat. They're not allowed the dignity of ordinary failure. And I think that plays into people's notions about Los Angeles, too. It's not allowed to be a regular city with problems. — Matthew Specktor

I heard a story the other night about an editor who visited the Iowa Workshop and, when asked what sorts of books she published, replied, "Classic books." One of the students asked her, "You mean like Kafka?" Apparently she said, "Oh, I don't think I would publish Kafka." — Matthew Specktor

100 million dollars used to be the limit of what a movie might cost; now they routinely cost 300 million. Sooner or later, spectacle is just going to have to find a new way to exist. — Matthew Specktor

Life Lessons by Matthew Specktor

1. Matthew Specktor's work emphasizes the importance of examining our own lives and the lives of those around us in order to gain a better understanding of our place in the world.
2. His work also highlights the power of storytelling and its ability to connect us to others and to our own histories.
3. Finally, Specktor's work demonstrates the value of taking risks and embracing the unknown, as this is often the only way to find true fulfillment.