I want to write songs that are so sad, the kind of sad where you take someone's little finger and break it in three places.— Nick Cave
The most remarkable Nick Cave quotes that are new and everybody is talking about
An artist's duty is rather to stay open-minded and in a state where he can receive information and inspiration. You always have to be ready for that little artistic Epiphany.
Polly Jean, I love you. I love the texture of your skin, the taste of your saliva, the softness of your ears. I love every inch and every part of your entire body. From your toes and the beautifully curved arches of your feet, to the exceptional shade and warmth of your dark hair. I need you in my life, I hope you need me too.
It's a wonderful life if you can find it.
All of our days are numbered. We cannot afford to be idle. To act on a bad idea is better than to not act at all, because the worth of an idea never becomes apparent until you do it.
But if you're gonna dine with them cannibals Sooner or later, darling, you're gonna get eaten . . .
The artistic process seems to be mythologized quite a lot into something far greater than it actually is. It is just hard labor.
People think I'm a miserable sod but it's only because I get asked such bloody miserable questions.
I don't particularly believe all love is doomed.
But I guess, one is usually kinda suffering from some aborted love affair or association, rather than being at the peak of one. I think it's fairly obvious that a lot more suffering goes on in the name of love than the little happiness you can squeeze out of it.
I am not interested in anything that doesn't have a genuine heart to it.
You've got to have soul in the hole. If that isn't there, I don't see the point.
I'm very happy to hear that my work inspires writers and painters.
It's the most beautiful compliment, the greatest reward. Art should always be an exchange.
One thing that I'm really interested in is the kind of esoteric detail that surrounds these great figures. And Wikipedia is full of that kind of stuff, whether it's true or untrue. It staggers me: why, in the short space assigned to a person or an event, that kind of random information is there. To be honest, that's wonderful fuel for songwriting.
My biggest fear is losing memory because memory is what we are.
Your very soul and your very reason to be alive is tied up in memory.
In the hysterical technocracy of modern music, sorrow is sent to the back of the class where it sits, pissing its pants in mortal terror.
I love rock-n-roll. I think it's an exciting art form. It's revolutionary. Still revolutionary and it changed people. It changed their hearts. But yeah, even rock-n-roll has a lot of rubbish, really bad music.
It's very intuitive, the way that I approach my work.
I only buy something that has a pulse. I may not know how I'm going to use it, but I know it has a pulse and it has multiple readings - if I shift it one way or another, it can be read this way or it can be read that way, but both readings are critical and very much ground the work.
The older I get, the more I feel those kinds of ghosts - especially the women in my life - moving out of the shadows a bit more and becoming more present in my life.
I am the captain of my pain.
Getting married, for me, was the best thing I ever did.
I was suddenly beset with an immense sense of release, that we have something more important than our separate selves, and that is the marriage. There's immense happiness that can come from working towards that.
After a while, you just don't do things you don't wanna do - that's the great freedom you get, the older you get. You learn what to do and what not to do, and what will be a waste of time and what won't be a waste of time.
Out of sorrow entire worlds have been built out of longing great wonders have been willed they're only little tears darling let them spill and lay your head upon my shoulder.
be mindful of the prayers you send pray hard but pray with care for the tears you are crying now are just your answered prayers letters of light we scale merrily, move mysteriously around so that when you think you're climbing up, man, in fact you're climbing down
I think there is a certain perversity in my music in that I continue, you know, to eat at the same ball of vomit year after year.
At some point you start seeing the difference between what you really want, and what is your priority order. I feel that today I know what I want. That's the problem with perspective, as well as focus and concentration.
There's that kind of song, "Whoah baby, I love you," which doesn't have a visual element, but a very strong emotional element, and these are the great songs to me - those ones that you put them on and they just make you feel great, or whatever.
You can't trust an artist that just makes good records.
Not my biggest fear, but my biggest problem onstage is over-emphasizing what I do. I'm pushing too hard. You need to engage an audience. They need to be able to involve their own imaginations as well. They don't need everything thrust down their throat, and I have a tendency to do that. I always have had a tendency to do that.
To sustain hatred is a very difficult thing to do, year after year. It's exhausting.
God has matured. He is not the impulsive, bowelless being of the Testaments - the vehement glorymonger, with His bag of cheap carny tricks and his booming voice - the fiery huckster with his burning bushes and his wonder wands. Nowadays God knows what He wants and He knows who He wants.
Inspiration is a word used by people who aren't really doing anything.
I go into my office every day that I'm in Brighton and work. Whether I feel like it or not is irrelevant.
I just found this world a hard place to be good in,’ says Bunny, then he closes his eyes and, with an expiration of breath, goes still.
My records are basically a litany of complaints against the world, and I'm quite like that in real life as well.
Who knows their own story? It certainly makes no sense when you’re in the middle of it
Everybody tends to overplay live. That's just the nature of playing live. And that can be great, but it can also kill something that's special, and intimate, about a recorded version of a song. You find out very quickly which songs you can play, and which songs you do damage to by playing them live.
I'm a believer. I don't go to church. I don't belong to any particular religion, but I do believe in God. I couldn't write what I write about and be creative without a certain form of belief.
When I start writing songs, and they come easily, I'm always very suspicious.
That usually means they're reminding me of something I've already done before. When the songs become unsettling, and I feel anxious about what I'm doing, that usually means it's going to be more interesting later on when we actually record the stuff.
Said 2,000 years of Christian history, baby And you ain't learned to love me yet?
Everyone wants to feel that they matter.
That's what I like about watching a movie: you enter an imagined world that's more interesting, more engaging than your own. Or less painful than your own.
The writer who refuses to explore the darker regions of the heart will never be able to write convincingly about the wonder, the magic and the joy of love for just as goodness cannot be trusted unless it has breathed the same air as evil.
I've always had an obligation to creation, above all.
The way I go about writing records is that I make a calendar date to start the new record, so I have nothing. I don't have a bunch of notes that I bring into the office, I start with nothing at all.
Cynicism and defensiveness are two things constantly levelled at me.
Look, I've got time for people, I'm good mannered. I usually find that when you're down, nobody has a bloody minute for you. If I was a nobody, you wouldn't even talk to me. People, in general, don't like you being upfront and civil. They hate you for it. They label you a cynic 'cos you're reasonable.
Outside the world of politics, one person in the world of the arts I would mention as an influence is Nick Cave, another person who has been around since the late 1970s. He has developed and changed remarkably, whilst remaining true to his vision. He has been a great help to me as well, without his knowing it.
Songs need to have the ability to change and to grow for sure.
They take on lives of their own. Some songs just don't have that capacity. They're locked within a period of time. And as soon as you take them out of that period of time, they die very quickly.
I have to be able to pull you in. How can I diversify my audiences? What role do I have to play to be part of that shift? I have to take that seriously.
And she moves among the sparrows. And she floats upon the breeze. She moves among the flowers. She moves something deep inside of me
I have to be able to see the thing that's going on that I'm writing about, or else it just doesn't make any sense to me.
You're collaborating with people you don't even know, when you're making a film.
You're collaborating with people you've never seen. So, the collaborative process is very, very different than when you're collaborating on a record with the musicians you've worked with all your life.
I think there's a certain numbness in modern society, that accepts certain kinds of violence, but represses other kinds of violence.