39+ Nicole Holofcener Quotes On Happiness, Humorous And Observant

Nicole Holofcener is an American film director, screenwriter, and producer. She is best known for her films such as Walking and Talking, Lovely & Amazing, and Friends with Money. She has been nominated for several awards, including an Academy Award for Best Original Screenplay for her 2013 film Enough Said. Following is our collection on famous quotes by Nicole Holofcener on love, life, happiness.

Top 10 Nicole Holofcener Quotes

1. What's the trick to writing a great female character? Make her human.
2. The stories that I want to tell are completely, well somewhat autobiographical. It's completely based on my own self-absorption issues and problems.
3. Filming is a funny combination of having a good time and not being able to wait until its over.
4. Hollywood always likes to create a star.
5. I definitely feel like a native New Yorker. My personality was formed there.
6. Catherine Keener really gets me. She and I have such a shorthand together.
7. I'd rather go for Scorsese and De Niro. I just think he was so much better.
8. I always had good friends, but I did not feel like a cool girl, ever.
9. My grandma has said many of the things her character says. But she was much nicer! I made her meaner for dramatic purposes.
10. I would still encourage somebody, if they wanted to make a movie, to just go take a movie camera. That's clearly been shown to work. It's just how do you get it seen?

Nicole Holofcener Famous Quotes And Sayings

Marriages are so complicated that no one person is the culprit. But, I am really interested in class without really realizing that I am. It's more the manifestations of different classes that interest me. — Nicole Holofcener

I thought I could make a sarcastic joke about it. But it's based on my own struggle with how much to give, how much it's really helping or not, and how foolish or not I feel. Giving sometimes backfires. — Nicole Holofcener

The pieces of "Please Give" just did fit together. I'm very comfortable with the ensemble. I thought this was just going to be a movie about this girl who gives mammograms. She's the lead. And then before I know it, she's got a sister, neighbors, and sometimes parents and friends and then it's an ensemble. And that's what I'm comfortable with, I guess. — Nicole Holofcener

But then male directors also have a hard time getting their movies made... not as hard as women but it's a tough time for any movie this size. And that particular movie [The Hurt Locker] was so specific. It couldn't hurt, of course, and I'm really glad for her, but I don't know how much it will change things, if at all. The film industry is still so sexist. — Nicole Holofcener

I never get tired of looking at her [Catherine Keener] and it always surprises me, despite how many hours of film I've shot on that face. She's fantastic. She does comedy and tragedy so equally well. She wears her feeling so on the surface for both. I try to stop myself from casting her but I just keep coming back to her. She's just so fantastic to work with. — Nicole Holofcener

People say to me all the time that I threw some money into some guy's coffee cup [by accident, thinking they were poor]. People do make the same sort of mistake. I've made attempts to volunteer that have been calamitous! — Nicole Holofcener

It seemed like there were so many options in filmmaking before. If they don't want to make it, well okay, there's a hundred other places we can try. I'm not a producer and I don't even know the places my producer goes to, thankfully. But I think there are far fewer options now to releasing a movie theatrically or to getting the financing. — Nicole Holofcener

I thought of the scene while writing scenes with Rebecca [Hall] and wrote it like an opening montage of showing where someone works. If you see a film about a car mechanic, you'd show the place they work and what they do. So, that's what I set out to do with Rebecca's character. I thought it probably wouldn't even make it into film but I ended up liking it. — Nicole Holofcener

The casting director on the movie made me aware of her. She told me what to watch Starter For Ten, which I did and thought she was great in. She was just so charming and beautiful. But I felt she could probably look plain if we tried. And when I subsequently met with her, I was so charmed by her vulnerability and sweetness. Those were two qualities that were the most important for that character. — Nicole Holofcener

The movie is in my head and that's the movie. But I'd be crazy to not be flexible. I think because I have the movie in my head, I can be flexible. I know what's going to work and not work and I know, generally, what I can change and bend and have the movie still work. — Nicole Holofcener

That said, it was pretty awkward and a weird thing to shoot. Some women had a sense of humour about it and we'd laugh, but some were very serious and suspicious... like I might be doing something bad, or maybe they were just uncomfortable. — Nicole Holofcener

I think that sometimes, romantic comedies have to be really broad, and that the plot of people falling in and out of love or whatever is not enough. Enough Said had that stuff, but I wanted it to be fun and funny while also grounded in reality. — Nicole Holofcener

I hear people talk in my head and I write it down. I choose where they live and how they dress to be real. That person wouldn't wear that. That person wouldn't say that. She can't afford to live like that. All that bullshit that so many movies have in them. I don't want to see that. — Nicole Holofcener

Yeah, people seem to really relate to it and feel moved by it. It's been the most positively received of all my movies so far. I don't know why. I like it just as much as I like my others, but people think this one is the best or the most interesting. I'll take it, though. I wouldn't want them to be saying my films are getting worse. — Nicole Holofcener

I think having a good life prompts it... anybody who has a good life and looks around them sees the enormous disparity that exists in the world between those people who do and those that don't. I can't say we walk about our guilt a lot, though. If we do, it probably comes out in the form of self-loathing jokes. But it's a tough thing to wrap your head around... the have's and have not's in the world. — Nicole Holofcener

What are we taking from people and what do we give is a life-long struggle, I think, for most of us. Who are we? Do we like who we are? Do we know who we are? Do we care? Does anyone care? That's such a big topic. I could tackle that in many movies. So could other people. — Nicole Holofcener

I don't know where my next movie is going to get financed or if it will. I think every filmmaker is probably worried about that, unless their movie made a fortune. My movies make a profit, but obviously not a fortune. So yeah, it's scary. — Nicole Holofcener

It's a struggle. It's really, really hard. I'm already nervous for my next one. You have to put more and more movie stars in movies these days. And of course, I would like to have more than $3million to make it. But, again, if that's what I was offered I wouldn't turn it down. I guess studios know that. But I'm one of the lucky ones, I guess. — Nicole Holofcener

I guess I always knew going into the movie that casting that part would be difficult. Oliver just felt likeable. I felt it would be hard to dislike this man. I don't know why, but I'm sure other directors have felt the same when casting him. Oliver is goofy yet formidable, smart but likeable... I didn't want the character of Alex to be nasty or demonised. I wanted him to be struggling with his actions. — Nicole Holofcener

If I had cast someone else who didn't have that kind of timing, it would have been leaden and one note. But Ann [Morgan Guilbert] made her really human and really funny without being caricatured or over the top. She feels like a real person. — Nicole Holofcener

I do think things like old furniture and art are arbitrarily assigned. And I say that coming from an uneducated place in terms of, you know... art... curating. But who's to say what's valuable and what's not? I guess I feel like in the end it's all pretty meaningless 'cause we're all going to die. — Nicole Holofcener

Well, I tried being in front of the camera as a student and that was terrifying. But the press stuff about me growing up on his [film] sets has been exaggerated. I was an extra as a kid and I was also a PA [production assistant] on one of his movies, so I was lucky to get production experience. But I was nowhere near him. — Nicole Holofcener

I want the look of a movie to be secondary. I really want people to be engaged in the story and the characters and not think about a style or think about me or think about the director of photography and what a great job he's doing. I never feel like that should be there. — Nicole Holofcener

If anything, I learned most from being a huge fan of his and watching movies like Annie Hall and Manhattan over and over again - that influenced the kind of movies that I wanted to make more than anything else. — Nicole Holofcener

I have a boundary problem... I need to know when to give and when to back up. I'll help someone across the street and then into their homes and they'll start telling me all their problems... and it turns out they're insane and want to kill me. I've got to know when to stop! — Nicole Holofcener

You can't take your stuff with you when you die. That doesn't mean you shouldn't enjoy it while you're alive. Why not? But it's all pretty silly. I fall victim to it. I mean, I want nice stuff too. So I guess I'm poking fun at myself as well as other materialistic people. — Nicole Holofcener

I know I repeat myself in all my movies, but I just let it go, let it happen. Clearly, I'm not finished with that issue. But they seem to me like completely different movies. They're definitely coming from me. — Nicole Holofcener

I hear a lot of, "We want to make a movie with you." Then "No, we don't want to make this one. We want to make that other movie with you." I don't really get that and it's very frustrating. It angers me. Because my movies are my movies. — Nicole Holofcener

I think I'm a good writer. I think I have my own voice, which is unique to everyone, everyone has their own voice; if they would just write from a vulnerable embarrassing place, it's going to be universal and it's going to be entertaining. Because everyone is the same and everyone is unique. — Nicole Holofcener

Life Lessons by Nicole Holofcener

1. Nicole Holofcener's work emphasizes the importance of honest and meaningful relationships, showing that the most meaningful connections are those that are based on mutual understanding and respect.
2. Her films also demonstrate the power of vulnerability and self-reflection, showing that it is important to be open and honest with yourself and others in order to build strong relationships.
3. Finally, her films also illustrate the importance of recognizing and celebrating our own unique identities, and the power of embracing our differences and celebrating our individual strengths.