Patrick Stewart Quotes

As time went on, I did campaign to lighten the character a little bit, to introduce some romance into the episodes, outside activities, horse riding and fencing and mountaineering.

As a child, I heard in my home doctors and ambulance men say, 'Mrs.

Stewart, you must've done something to provoke him.' 'Mrs. Stewart, it takes two to make an argument.' Wrong. Wrong! My mother did nothing to provoke that - and even if she had, violence is never ever a choice that a man should make. Ever.

Violence is never ever a choice that a man should make.

Having played many roles of scientific intellect I do have an empathy for that world. It's been hard on me because flying the Enterprise for seven years in Star Trek and sitting in Cerebro in X-men has led people to believe that I know what I'm talking about. But I'm still trying to work out how to operate the air conditioning unit on my car.

I don't do impersonations. I can do a wounded elephant! I can do a really good cow! And because of the amount of time I spent in North Yorkshire, I do a variety of sheep. All of which I will be happy to roll out for you!

I wouldn't know a space-time continuum or warp core breach if they got into bed with me.

It is what you do from now on that will either move our civilization forward a few tiny steps, or else... begin to march us steadily backward.

Violence against women is learned. Each of us must examine - and change - the way in which our own behavior might contribute to, enable, ignore or excuse all such forms of violence. I promise to do so, and to invite other me and allies to do the same.

What identifies an individual as a king is how other people behave towards him.

All authority is assumed, and if other people don't accept your authority then you don't have it. Perhaps the critical thing to being a convincing figure of authority is actually not to try too hard.

The knights of the theater represented to me not only the pinnacle of the profession but the esteem in which the profession was held. To find myself, to my astonishment, in that company is the grandest thing that has professionally happened to me.

I would like to see us get this place right first before we have the arrogance to put significantly flawed civilizations out onto other planets, even though they may be utterly uninhabited.

One day, out of irritation, I said, you know all of those years with the Royal Shakespeare Company, all those years of playing kings and princes and speaking black verse, and bestriding the landscape of England was nothing but a preparation for sitting in the captain's chair of the Enterprise.

I was brought up in a very poor and very violent household.

I spent much of my childhood being afraid.

Whenever the lion fish in the fish tank in the captain's ready room died it was always a sad moment.

During my time we had two chairman of the joint chiefs of staff, at different times of course, on the bridge, both of whom asked my permission to sit on the captain's chair.

I like things that are funny - in everyday conversation, in incidents that you see, in watching TV or watching film. Comedy has always had an impact on my life.

I've been a witness to unfairness in society all my life.

To the conditions under which my mother worked all her life, working in an industrial weaving shed in the north of England. And it has been this feature of unfairness that has motivated me in all of my political thinking.

If someone says 'Give me one word of advice,' I say 'be fearless.

' And knowing without any shadow of a doubt that what they have to give - who they are - is totally unique and not shared by anybody else. And to believe in that uniqueness. It took me decades before I developed courage as an actor.

The only still center of my life is Macbeth.

To go back to doing this bloody, crazed, insane mass-murderer is a huge relief after trying to get my cell phone replaced.

I am told that there have been over the years a number of experiments taking place in places like Massachusetts Institute of Technology that have been entirely based on concepts raised by Star Trek.

We've heard from many teachers that they used episodes of Star Trek and concepts of Star Trek in their science classrooms in order to engage the students.

I became a better listener than I ever had been as a result of playing Jean Luc Picard because it was one of the things that he does terrifically well.

I came to feel very, very sentimental about those sets, which is ludicrous, because they represent everything which is transitory and insubstantial. It's absurd that one should feel sentimental about timber and canvas.

Roddenberry had created quite a complex and at times mysterious character.

Guarded, cautious, careful in showing his feelings in expressing his ideas about many things - I found that very interesting.

I've often reflected on this in the past weeks as I've been following the presidential campaign: Very often, I thought it would have been great for both of these guys to sit down and be force-fed a couple of dozen episodes of Star Trek.

We've made too many compromises already; too many retreats. They invade our space and we fall back. They assimilate entire worlds and we fall back. Not again! The line must be drawn here! This far, no further! And I will make them pay for what they've done!

William Shatner has one style. We have completely contrasting personalities. We're very good friends. I adore him, but we're very different people, so they were smart enough to write characters that reflected that.

I am not the archetypal leading man. This is mainly for one reason: as you may have noticed, I have no hair.

Violence against women is the single greatest human rights violation of our generation.

So far as education is concerned, it has had a significant impact on a lot of young people who turn to science as a much more exciting and interesting study than they otherwise might have found, entirely as a result of becoming involved with Star Trek.

This is a call to action—not an action that will make things better in six months’ time or a year’s time, but action that might save someone’s life and someone’s future this afternoon, tonight, tomorrow morning.

Encouraging people to believe in it was the most important thing of all. It's one of the reasons I was always uncomfortable whenever film crews came on the set to shoot things. I didn't want our make-believe to be exposed.

Creating a believable world on the ship was very important, and technically they got better and better and better at showing the ship too.

During the course of the seven years I played scenes with an oil slick, I played a scene with a grain of rice. Sometimes with indescribable creatures. I remember having a conversation with something which was simply a smell, that's all. It was part of our job.

At 12 years old in the dangerous world that I was in, with a very difficult home life, I found the stage was the safest place to be. It was predetermined and predictable - and furthermore you got to be someone else. All the problems only began when you left the building.

I had come to the point when I realized it was unlikely that my film career was going to move beyond a certain level of role. And I was - because I had graphic instances of it - handicapped by the success of Star Trek. A director would say, 'I don't want Jean-Luc Picard in my movie' - and this was compounded by X-Men as well.

I think I came back from America a funnier and nicer person than I went.

The studio have always claimed that the ship is the star of the show, especially when they're renegotiating contracts.

I never had teenage years. I guess because I was seen to be more adult than anybody around me.

I certainly wanted to maintain some sense of mystery about Picard and that's why we never allowed certain situations to fully evolve, like the relationship between Picard and Beverly Crusher.

One of the things that I've come to understand is that as I talk a lot about Picard, what I find is that I'm talking about myself.

We had some very distinguished fans: I know one chancellor of a major university who used to schedule his meetings around Star Trek. We were thrilled to discover that Frank Sinatra was a big fan.

For seven years I did very little theatre, and I have to make up some time.

I heard police or ambulancemen, standing in our house, say, 'She must have provoked him,' or, 'Mrs Stewart, it takes two to make a fight.' They had no idea. The truth is my mother did nothing to deserve the violence she endured. She did not provoke my father, and even if she had, violence is an unacceptable way of dealing with conflict. Violence is a choice a man makes and he alone is responsible for it.

It still frightens me a little bit to think that so much of my life was totally devoted to Star Trek and almost nothing else.

I've been an activist all my life. And always a liberal activist, for the simple reason that it is on the liberal left that you find the true recognition for the need for fairness in society. I'm not saying equality, because that you can never achieve, because equality is based on such complex criteria. But fairness is another issue.

All I ever wanted to do was be on stage, if possible acting in Shakespeare. And to be as good as I could be.

The people who could do most to improve the situation of so many women and children are in fact, men.

It's not just an exclamation, but it's a rejection of everything to do with Christmas, with the spirit of Christmas, with gift-giving, with generosity.