Peter Blegvad is an American musician and illustrator. He is best known for his solo albums and collaborations with John Greaves. He is also an accomplished songwriter, having written songs for artists such as Kate Bush and XTC.
What is the most famous quote by Peter Blegvad ?
Anyone who grew up in the psychedelic '60s probably experienced their share of hypnagogic fireworks. Just as sex got me hooked on anatomy, so drugs were probably what first got me interested in entoptic phenomena, phosphenes, and hypnagogic imagery.
— Peter Blegvad
What can you learn from Peter Blegvad (Life Lessons)
- Peter Blegvad's work demonstrates the importance of staying true to one's creative vision, as his career has been marked by a commitment to experimentation and innovation.
- His music also highlights the value of collaboration, as he has worked with a range of different musicians to create his unique sound.
- Lastly, Peter Blegvad's work serves as an example of how to create meaningful art that transcends genre boundaries and speaks to a wide audience.
The most uplifting Peter Blegvad quotes that may be undiscovered and unusual
Following is a list of the best Peter Blegvad quotes, including various Peter Blegvad inspirational quotes, and other famous sayings by Peter Blegvad.
I wanted to be a poet and/or an artist, but I was very lazy (frightened of failure, I guess) and drank too much.
The goal of all my work is essentially the same: demonstrating that magic is real or that reality is magic, by paying attention, and finding compensation or consolation for what is essentially a tragic existence.
My ignorance would require a volume to itself.
Between its covers would be preserved a record of the spurious model of all creation I had in my head, a prelapsarian construct, uncorrupted by the facts.
One of the beauties of working in radio is the way a whole setting can be richly evoked simply by the addition to the track of a little birdsong and a church bell in the distance.
I've written a lot of wordy, erudite, pretentious songs, but believe it or not, I'm usually doing my damnedest to resist the temptation to be overly "clever," and trying to keep things as accessible - and singable - as possible.
I'm not a visionary, but I've spent half my life drawing things Imagined, Remembered, and Observed, comparing the differences between them, and my study confirms that "the difference between night and day / is not as great as people say."
I remember Bob Dylan saying in an interview that at a certain point he'd had to learn to do consciously what he'd previously done unconsciously or automatically. That resonates.
I'd done a drawing of the model using only peripheral vision, looking at a spot on the wall to the right of where she sat. It wasn't really a drawing of her I produced; it was a drawing of the cloud of lights and darks she dissolved into when I focused on the spot. You could look at my drawing of this cloud and read it as a nude female figure, though a little translation was required.
Experimental quotes by Peter Blegvad
For decades I'd flit from drawing table to typewriter to guitar with no sense of strain or contradiction. They all exercised the same psychic muscle (the Imagination), and working in one medium refreshed my appetite for the others.
Some songs seem to achieve the quality of a geometric object - a ball, box, or cone - and I don't mess with 'em.
Songs came first. I started out in 1965 trying to copy the Beatles, Bob Dylan, and the Stones, like most kids I knew. I'm still trying. Songs are hard to beat.