34+ Tim Hecker Quotes On Education, Culture And World

Tim Hecker is a Canadian musician from Vancouver, British Columbia. He is known for his experimental ambient and drone music, often incorporating elements of noise and classical music. He has released nine studio albums since 2001, and has collaborated with a variety of other musicians. Following is our collection on famous quotes by Tim Hecker on leadership, education, life.

Top 10 Tim Hecker Quotes

1. I'm not an anti-online person. I get what the modern world's about and I understand that that's the nature of music dissemination.
2. I found all my reading and writing informed my music in subtle ways. Ravedeath came out of studying the pipe organ, going to New Jersey - the world's loudest and biggest pipe organ.
3. I love vinyl, but I'm not a 'vinyl person'. I still collect, but most of my stuff is digital.
4. You have to make rough decisions with sequencing and work within the limitations of having good audio for 15 minutes on a vinyl side.
5. I'm not a peak oil person. I'm not a biohazard apocalyptic kind of freak. I don't have a supply of weapons or gold bars under my house.
6. My peer network is international. It's people all over the place who I know, and respect their work. It's not really delineated by traditional nationalist ideas.
7. I download music just like anybody else, but it's a weird relationship when you're a musician.
8. Vinyl's just a fun endgame step. I work with analogue signal chains too, but the mp3 is the way I listen to music.
9. I take the literary or textual aspect really seriously and I really enjoy writing weird album titles. I did a PhD; I enjoy writing.
10. I'm trying to find a way to make music work as a living. People used to make their living selling albums. Those days are over! It's kind of an odd time. I guess it's kind of like writing.

Tim Hecker Quotes About Music

Because I refuse to perform my music in a traditional sense of instrumentation, I don't have an amazing live stage spectacle to provide, and I don't want to go there. I don't see how the music would stay true to the spirit of the work. — Tim Hecker

I did dance music for a short period of time but I felt like the fruit for me was in the outer dance world so I stopped doing overt techno and I think, in terms of rhythm, I enjoy things that feel like they're falling off, like they're just barely holding on. — Tim Hecker

People still talk about sampling as this new, progressive problem in music. There are technologies now where you can glean the polyphonic information out of a sample and then put that back in and then score it for five instruments. You don't need digital audio to sample; you can rewrite things. — Tim Hecker

I definitely road test music. I'll drive in the car and look up at the sky and that often makes it more clear, like what's good and what's not. Driving in darkness is amazing, because you really feel the energy and what has presence, spirit to it, and what doesn't. — Tim Hecker

There have always been people making music. On their porches, playing folk songs. Playing piano in quiet salons. You don't have to listen to every MySpace page, so what's the difference? It's just noise that you filter out. — Tim Hecker

Tim Hecker Famous Quotes And Sayings

Sometimes it's a fraught, kind of laden world of performance that I think can be really dubious, but it's also super fun to almost desecrate an instrument that for 500 years has been associated with God. — Tim Hecker

Once you have MIDI information - I mean, it's a bit technical - that's your paint. You can slow down, pitch up, change notes within a different key. That's the foundation in which you can write things. — Tim Hecker

You can't be sure there's not a God, so why live your life in hatred or the denial of that. It's better to be open to the possibility of it. Just because the whole conceit of scientism... is that our world is explained by two atoms smashing, right? Our green planet came out of that. But I just don't buy where the original line comes back to, those two atoms. The explanations aren't fully in yet. — Tim Hecker

I've got Ph.D. just because I enjoyed reading and writing and didn't know what else to do. It was something fun to do. Like it seems self-evident that I'm a musician now, but it's a really hard path. It's almost impossible. — Tim Hecker

We should do an Adorno reading on Skrillex and vodka sales in Vegas. It's definitely interesting. What's interesting in that music for me is the harmonic density in some crazy melodic line that sounds like some Michael Bay film eating itself. Which I enjoy in the same way I'll watch a cracked up Hollywood movie. Yet rhythmically, I guess that music just funnels more into predictable cash outcomes. — Tim Hecker

I'm really sensitive to the beginning of a motif or a phrase or something that's kind of the backbone or becomes kind of the spine that you grow muscle tissue onto. You know from that, if you have that good beginning, it's like everything that grows off it often has potential. Maybe I'm good at that early bit of recognition of pieces of potential. I'm not sure. — Tim Hecker

I wouldn't say I'm ego-less, but I'd say there's something uncomfortable about the presentation of one's self in the media. Any image sent out is permanently in the spin cycle. And there's a paralysis of that, the way your image is presented. I've always been hesitant, but I'm definitely not shy or anything. — Tim Hecker

I've always thought that each album would be my last one, and then I would be out of ideas and I would move to photography or something. I thought it was transient and it's not because of this entrenched career stubbornness that I've done it for so long, it's just something I enjoy doing, and it's the most direct way I can express something. — Tim Hecker

I don't feel like music is getting more intense; I think generally the channel for deeper harmonic saturation is not just a sine wave - but a really crunched sine wave. The trend in music is towards a harmonic saturation. I wouldn't say I'm reacting against that. It's just a personal choice to move into some weird space. This also allows me breathing room in the future. It just felt like the right thing to step back on. — Tim Hecker

If I was completely satisfied with an album, I'd probably give it up, because that'd mean I had attained some kind of state that was greater than I'd ever hope, so I think I'd just give it up. But I don't think that's going to happen. — Tim Hecker

Offness yields a hypnotic effect. The brain can see simplistic patterns that lock and it's boring after a while. I don't cater to that. — Tim Hecker

I've always said my records are these failures of not getting where I want them to go, they end up detouring somewhere else, so on one level it's partly a disappointment, and on another level it's being comfortable with surrendering to that kind of state of becoming or whatever. — Tim Hecker

I'm not a nostalgic person for the glory days of 8-track sales at the local K-Mart. But there's a little bit of flattery and a little bit of horror. It's a mixture. It's like sublime shock and awe, but also terror. That's always the way I feel about how music flows through those types of networks. I'm mostly cool with it, but I definitely appreciate when people support the work. — Tim Hecker

It depends on what kind of minimalism you're talking about, of course. I love both those artists - Brian Eno and William Basinski. I would say my minimalism references are early American minimalists from the 70s. — Tim Hecker

Working with devices and guitar pedals and mixers and synthesizers is what I do, and I prefer people not focus on that because it's kind of distracting from what the point should be. At least for me, it's to have the primacy of aurality in the experience of that evening. — Tim Hecker

For me it's the hypnotic simplistic reduction of hooks into some form of prayer wheel or something. I really appreciate people who can work in those quiet environments making really precious latticework like lace in a weaving but, for me, I like it a bit more hairy and like psychedelic Peruvian knits or something! You know what I mean? I go into fabric analogies, you know. — Tim Hecker

I've been playing music all my life. I wasn't really fostered in a musical family, it was something I did despite the kind of limitations put on me. It was a series of misshapes and failures and things that didn't work out and other opportunities that kind of presented themselves. I just followed a journey. — Tim Hecker

I work with digital audio, which is like sculpting, a form of chiseling down metal or wood. And I take audio and move it back and forth between the analog and digital realms and work with it almost like a plastic art until it takes forms in different shapes. And I use those figurines that come out of that type of work. — Tim Hecker

You start to think, when you're finishing a record, in twelve- to fourteen-minute chunks. At a certain point, you do write to the format. It's not a coincidence that most albums are between thirty-five and fifty minutes. It's kind of like the 98-minute film. It becomes some paradigm for human attention in the media. — Tim Hecker

Life Lessons by Tim Hecker

1. Tim Hecker's work demonstrates the importance of experimentation and exploration in music, as he often combines elements of different genres to create unique soundscapes.
2. His willingness to take risks and push boundaries has allowed him to create some truly innovative and captivating music.
3. His work serves as an inspiration to aspiring musicians to never be afraid to try something new and to always strive to create something unique.