Vivica Fox Quotes

I love chilling in a cute sweatsuit and wedge sandals or sneakers.

I must always have fresh orange juice, alkaline water and hazelnut creamer for my coffee.

When I started off as an actress, I did at a play at the Taper Too Theatre here in Los Angeles, called 'In The Abyss Of Coney Island.' That was more of a dramatic play. It was a small theater house. This was the first time I was literally on the road, doing a play, for four months.

I don't like to see projects that are all black or all white.

It's how life is. I do like to make sure that I do a nice black family film; that's like keeping my home base. I do other things, but I like to always come back to a positive family film, because of all the negative influences today.

Being in front of the audience, letting my audience see me in person - it is real intimate, you get to make them laugh and cry, they get to feel you. And then afterward, we go out and do a meet-and-greet session with the fans. It was just a wonderful experience. I really, really enjoyed it.

Cougars are all the rage! I'm so glad that Hollywood and America are embracing women when they get in their 40s instead of putting us out to pasture. That's when a woman's in her peak. That's when she's hot. She's already been through all of the junk. She's confident. Secure with who she is.

What I remember about that experience is that if you went to go see ' Born On The Fourth Of July' and you happened to take a bathroom break real quick or grab some popcorn, you probably missed me. It was short, but it was memorable.

I went from working with Will Smith to working with Will Smith's wife.

So the Smiths have been very good to me.

Being a producer and a star of the play was a lot more challenging and difficult than I ever anticipated, but so rewarding. I got to be involved with the writing, the casting.

I have learnt to be a congratulator and not a hater!

I'm so glad that Hollywood and America are embracing women when they get in their 40s instead of putting us out to pasture.

Um, 'Soul Food'... Another wonderful little movie that could. Here's a film that, I think our budget was maybe $6 million. We shot it in Chicago in six weeks. I was so proud of the film, because it showed America that an African-American film about family could sell, could do well, could cross over and have true meaning.