quote by Jean M. Auel

I could write historical fiction, or science fiction, or a mystery but since I find it fascinating to research the clues of some little know period and develop a story based on that, I will probably continue to do it.

— Jean M. Auel

Glamorous Historical Fiction quotations

Historical fiction quote Fiction is the truth inside the lie.
Fiction is the truth inside the lie.

As a child, I read science fiction, but from the very beginnings of my reading for pleasure, I read a lot of non-fictional history, particularly historical biography.

Perhaps it is the greatest grief, after all, to be left on earth when another is gone.

Historical fiction quote A woman must have money and a room of her own if she is to write fiction.
A woman must have money and a room of her own if she is to write fiction.

I feel as if dystopian and utopian representations are historically the most effective way of criticizing modern society. You know, because you don't have to be factually accurate. You can kind of construct some awesome strawman arguments in your fictional world.

There is no law that gods must be fair, Achilles,” Chiron said.

“And perhaps it is the greater grief, after all, to be left on earth when another is gone. Do you think?

I got nice rejections explaining that historical fiction was a difficult sell. But I kept trying.

Historical fiction quote The universe wrote fiction is us. Its called Fear.
The universe wrote fiction is us. Its called Fear.

I can't read historical fiction because I find the real thing so much more interesting.

For me, writing historical fiction is all about finding a balance between reading, traveling, looking, imagining, and dreaming.

There are some varieties of fiction that I never touch - mystery stories, for instance, which I abhor, and historical novels. I also detest the so-called "powerful" novel - full of commonplace obscenities and torrents of dialog.

I read mostly historical fiction - lots of stuff set in ancient Rome and ancient Greece. I also liked sci-fi and fantasy: David Gemmell, Raymond E. Feist. It's a nice escape from the world. As much as I do love real-life stories, they can often make you hurt in a way I'd rather not hurt.

The thing about being a mystery writer, what marks a mystery writer out from a chick lit author or historical fiction writer, is that you always find a mystery in every situation.

Fiction has consisted either of placing imaginary characters in a true story, which is the Iliad, or of presenting the story of an individual as having a general historical value, which is the Odyssey.

I am not a fan of historical fiction that is sloppy in its research or is dishonest about the real history.

History tells us what people do; historical fiction helps us imagine how they felt.

Science fiction is like a blender - you can put in any historical experience and take influences from everything you see, read or experience.

For me, the historical and genealogical library is the one I use.

I'm working on, I'll say, it's a time travel novel. I haven't written very much of it. That's the dirty secret of the Cullman center: The writers don't write their fiction there, they just do their research.

It's really important in any historical fiction, I think, to anchor the story in its time. And you do that by weaving in those details, by, believe it or not, by the plumbing.

My remembrance of the past is a novel I am constantly recomposing;

and it would not be a historical novel, but sheer fiction, if the material events which mark and ballast my career had not their public dates and characters scientifically discoverable.

As a journalist, I would talk to writers, directors, creative people, and discover that for an awful lot of them, the moment they became successful, that was all they were allowed to do. So you end up talking to the bestselling science-fiction author who wrote a historical-fiction novel that everybody loved, but no one would publish.

After all, that's why we read historical fiction-to be transported to another time, and to be astonished at ancient people's lives and traditions, just as they would probably be astonished at ours.

When I was growing up I loved reading historical fiction, but too often it was about males; or, if it was about females, they were girls who were going to grow up to be famous like Betsy Ross, Clara Barton, or Harriet Tubman. No one ever wrote about plain, normal, everyday girls.

Why do I write historical fiction? Johnny Tremain, The Witch of Blackbird Pond, Island of the Blue Dolphins-that's why. I'll never forget how it felt to read those books. I want to write books with the same power to transport readers into another time and place.

I just love historical fiction.

As you see, I bear some resentment and some scars from the years of anti-genre bigotry. My own fiction, which moves freely around among realism, magical realism, science fiction, fantasy of various kinds, historical fiction, young adult fiction, parable, and other subgenres, to the point where much of it is ungenrifiable, all got shoved into the Sci Fi wastebasket or labeled as kiddilit - subliterature.

Writing historical fiction is a legitimate us of Multiple Personality Disorder.

Writing historical fiction is a legitimate use of Multiple Personality disorder.

The power of story is potent and that's why historical fiction can be an extraordinarily significant way of teaching people logical truth propositions, moves you along, moves your emotions as well as informs your intellect.

It's kind of alarming for me to realize that, when I'm writing stories about times I remember, it's already historical fiction.

People who wrote literary novels about the past probably didn't want them pegged as historical fiction. Certainly that was true in England.

I read a ton of fiction - historical, contemporary, literary, commercial, I love it all.

As for whether genre considerations influence what I write, they don't at all, but I might sell more books if they did. The Night Journal is a hodge-podge of historical fiction, western, mystery, and contemporary domestic drama. It doesn't settle into a specific market, reviewers have a hard time describing it, and sometimes it gets classified weirdly in bookstores. But from a writer's standpoint, I like that it's hard to categorize.

I don't think I have ever created an entire fiction piece or followed a historical piece and made that into a sermon.

In non-fiction you have to stay true to historical events, be they personal or national .

The Forgotten Realms is arguable the most detailed, intricate fantasy setting ever created this side of Middle Earth. It's a setting for many D&D game products and lots of fiction. It is vast, historically and geographically and so contains just about anything you might imagine, at one place or time or another. Created by Ed Greenwood. And, for the record, Ed Greenwood is one of the smartest guys I've ever met.

Historical fiction is a collaboration between the time in which it's written and the time that it's writing about and the far future, when we don't know what people are going to think about yet.

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