I think getting drunk is the key to flying comfortably. A couple of bloody marys or several glasses of champagne, and suddenly it's like you're on a roller coaster.— Amanda Peet
The most cheerful Amanda Peet quotes that are proven to give you inner joy
If I had to give up cheese or chocolate, I'd give up chocolate in a heartbeat.
Beauty is only skin deep. If you go after someone just because she's beautiful but don't have anything to talk about, it's going to get boring fast. You want to look beyond the surface and see if you can have fun or if you have anything in common with this person.
Whenever I was with Kevin Pollak, I had to leave the room.
I usually try on at least 20 pairs of jeans before I find something that looks good on me. And even then, I have a trustworthy friend tell me if my butt looks big!
I think network television is really hard because it has to sail right away.
HBO's so much more nurturing, patient. They think it takes a while for a show to kind of congeal and figure out what its strong spots are.
I think when you're a bigger star you get many good scripts sent to you, and you have to choose which one you're going to gravitate toward, but I just try to gravitate toward the best-written one that's been thrown my way after a lot of girls have passed on it.
He can't even be at a casual read and not be creating the whole thing in his mind. I remember feeling very awed about how much he still seems to be so in love with it, and so dedicated to making everything really real and really spontaneous.
There's a very small group of elite actresses who are my age, who people want to work with. It's not easy to get a good job with good actors.
I certainly don't believe in love at first sight.
I definitely believe in a lot of chemistry and lust at first sight. I think that love is something that takes work.
~One surprise of motherhood for me was how little control I have.
I thought it would be a blissful romance with me at the helm, cuddling this little creature. It's been bittersweet and humbling to let her lead and to not try to be perfect myself.~
You have to put your own oxygen mask before you put on others... It's a good metaphor for parenting
I would have done anything. I just really love the Duplass brothers. I was at a place where I was desperate for good writing. It wasn't the part that attracted me to it; it was just to be able to work with them. And the fact that she's this kind of, like, loose cannon and this kind of desperate 40-year-old is just the icing on the cake.
I don't read reviews, as a rule. I can't, because I can't control myself. But I've heard that [the Duplasses] were happy, so that's good.
When I read "The Whole Nine Yards" I was like, 'Okay, this is a G-spot role'.
The thing I noticed about Jack was when we did a reading of the script, just to warm up.
Nancy has her vision and she's a formidable force to be reckoned with, and that's similar to most of the male directors I've worked with. The only difference is probably inbetween scenes, gossiping with Diane Keaton, Frances McDormand and Nancy Meyers about who's had Botox and who hasn't.
They talk about a lot of different things, but I think they definitely have the same school of thought as my husband [Games Of Thrones creator David Benioff], which is that the difference between being a writer and not being a writer is finishing.
I'm still trying to write. I wrote a play a few years ago, so I'm trying to start writing again. The play was called The Commons Of Pensacola. It was at MTC [Manhattan Theatre Club] with Sarah Jessica Parker and Blythe Danner. It was kind of like a riff on Ruth Madoff.
Mark and jay Duplass really like to improvise.
Even if we beg them to go back to the script, they invariably ask us to go "off the rails," as they like to call it. It's just the way they work. You get a full written script. And it's really, really, really good, so that's why it's kind of peculiar that they always want you to improvise, because if I wrote something that good, I would want everyone to stick to the dialogue that was written.
Well, my mom is single and we've both been single at the same time over the last ten years, so I really related to the bond between my character and Diane's.
Although arguably, it's my job to dig deep whether I'm improvising or not.
It's just their style. That's the way they feel like they get what they want. I mean, they're really good storytellers, so I love being in their hands.
I think it took me a long time to realize that you can't really score unless someone passes you the ball. The older you get as a woman, it's fewer and far between. The material isn't there.
I wrote a play before that and it never saw the light of day.
And then I started working on this play and it came out really quickly. Eventually I got it, and I wrote a letter to Sarah Jessica Parker and she wanted to do it. So that's how it happened.
I have a feeling there is no ideal situation, unless she could go back in time and be 22 again. I think some of it is just kind of the shock of realizing that you're approaching middle age, or that you are middle-aged and kind of coming to terms with that in whatever incremental ways.
They [Mark and Jay Duplass] both have young kids and talk about parenting all the time. So they get it. So they knew that it was a very delicate time and they knew that it was a lot. All it did was make me want to protect them from - and protect production from - any kind of burden.