92+ Daniel Clowes Quotes On Friendship, Satirical And Surreal

Daniel Clowes is an American author and illustrator of comic books and graphic novels. He is best known for his comic book series Eightball and his graphic novel Ghost World, both of which have been adapted into feature films. Clowes has won numerous awards for his work, including an Academy Award nomination for the screenplay of the film adaptation of Ghost World. Following is our collection on famous quotes by Daniel Clowes on love, friendship, life.

Top 10 Daniel Clowes Quotes

1. In some ways, I never outgrew my adolescence. I wake up in the morning and think, 'Oh my God, I'm late for a math test!' But then I say, 'Wait a minute. I'm 40.
2. You try to make the world a better place and what does it get you? I mean, Christ, how the hell does one man stand a chance against four billion assholes?
3. I was a very fearful little kid, and I would always see the worst in everything. The glass was half-empty. I would see people kissing, and I would think one was trying to bite the other.
4. I think I'm gonna attach myself to the sinking ship that is book publishing.
5. Everybody just lets the media do their thinking for them... that's why you'll never hear any reggae on the radio!
6. I have this certain vision of the way I want my comics to look; this sort of photographic realism, but with a certain abstraction that comics can give. It's kind of a fine line.
7. The trouble is the kind of guy I want to go out with doesn't even exist... Like a rugged, chain-smoking, intellectual, adventurer guy who's really serious, but also really funny and mean.
8. Face it, you hate every single boy on the face of the Earth!" "That's not TRUE, I just hate all these obnoxious, extroverted, pseudo-bohemian art-school losers
9. I'm always looking for things I imagine must exist, but don't - this is usually the impetus to create that thing myself.
10. Film is a director's medium, and a film set is a complicated military structure - I have to keep reminding myself to stay in my place, or all will burst into chaos.

Daniel Clowes Short Quotes

• I'm always hiding the books in my closet, and my art's always turned upside down in my drawer.
• I like to leave a little room to innovate and change things around while I'm working.
• I think I have a very clear vision of what I want things to look like.
• I never feel there's anything I can't do.
• I'm more interested in characters who are a little difficult.
• I was 30 before I made a living that was not embarrassing.
• I don't read much of anything online.
• But I enjoy the opportunity to use swear symbols.
• Even if I only had 10 readers, I'd rather do the book for them than for a million readers online.
• I originally just wanted to be an artist.

Daniel Clowes Quotes About Life

It's a challenge to express real life in dramatic terms. In an entirely "made-up" story, you are sometimes overwhelmed by the infinite possibilities. — Daniel Clowes

The greatest moment of my life was, somebody sent me a cable-access show from Chicago that had Joey Ramone on it showing the video we made together. And he was talking about, like, "This guy Dan Clowes postponed his wedding for us. He's a great guy." — Daniel Clowes

There are certain things in there that no one else would recognize, really. I see details of my life that I didn't even intend to put in when I was doing the work. For example, I noticed that every single kid in the high school in The Death-Ray is based on somebody I went to high school with. — Daniel Clowes

You can give some kind of spark of life to a comic that a photograph doesn't really have. A photograph, even if it's connecting with you, it seems very dead on the page sometimes. — Daniel Clowes

Daniel Clowes Quotes About Comics

It's embarrassing to be involved in the same business as the mainstream comic thing. It's still very embarrassing to tell other adults that I draw comic books - their instant, preconceived notions of what that means. — Daniel Clowes

There are certain comics that just seem like they have this perfect balance between dialogue and image that I can't not read. I'll want to save it for later, and the next thing I know, I'm reading it. That's what I'm kind of trying to do with my comics. — Daniel Clowes

Though to the average person that you'll meet on an airplane, if you tell them you draw comics, they'll still have sort of the same response - not like that's seeped into the culture at large, that comics are not just for kids. — Daniel Clowes

I have a very low tolerance for animation. I'm used to the perfect integrity you get from drawing your own comics. There's something about that that animation always loses. — Daniel Clowes

Comics seldom move me the way I would be moved by a novel or movie. I say this as someone who would rather read comics than watch movies, listen to music, anything. But it's not an operatic medium. I hear other people talk about being moved to tears by comics. I can't imagine that. — Daniel Clowes

You need to be, like, turning down high-paying illustration work because you want to work on your comic. That's when you know you're doing something good. — Daniel Clowes

If I could have somehow been the kind of artist who could crank out two or three issues a year, that's different. That's sort of what it's all about, to get this thing out so that there's some kind of continuity. But to do a comic book every year or two was just so anti-climactic. — Daniel Clowes

I love the medium and I love individual comics, but the business is nothing I would be proud of. — Daniel Clowes

For me, the whole process involves envisioning this Ghost World comic book in my head as I'm working. — Daniel Clowes

I had no television when I was little, just a stack of old, beat-up comics from the 1950s and 1960s. — Daniel Clowes

Daniel Clowes Quotes About People

When you see somebody who's got a complaining personality, it usually means that they had some vision of what things could be, and they're constantly disappointed by that. I think that would be the camp that I would fall into - constantly horrified by the things people do. — Daniel Clowes

It keeps me moving when I see people doing stuff that I see as "my" direction. I think, "Oh, it's been tainted. Now I've got to do something new." There's nothing worse than working on your own stuff and thinking that someone else is following you along. — Daniel Clowes

I have cultivated a little crew of people whose opinions I understand. It's like the way you'd follow certain film critics because you know what their criteria are, and you may not agree with them, but you can glean from their opinion how you will feel about a film. — Daniel Clowes

I really want people to read the book, and bookstores never sold an issue of Eightball because nobody knew what it was. — Daniel Clowes

I tend to be the type who is overly polite and sort of ingratiating to other people. — Daniel Clowes

That's been my main interest for the last 15 years, is to really make sure the story and the characters take precedence over everything else, and that I give them everything I can to make them exist as actual people. — Daniel Clowes

Daniel Clowes Quotes About Comic

I must have been 3 years old or less, and I remember paging through these comics, trying to figure out the stories. I couldn't read the words, so I made up my own stories. — Daniel Clowes

I'm not opposed to comics on the Internet. It's just not interesting to me. — Daniel Clowes

Comics seldom move me the way I would be moved by a novel or movie. — Daniel Clowes

I feel like I understood the language of comics. I had a real fluidity with that medium at a very early age. — Daniel Clowes

Daniel Clowes Quotes About Kind

It's much more liberating as a artist to feel like you can approach each page and each panel with the way that inspires you the most. I think the thing that bogs down a lot of artists is that you're kind of stuck drawing in a style you've developed. — Daniel Clowes

At a certain point, I realized that I could draw anything, and there was nothing I should avoid - I could make it work. That's opened me up to being able to be much more comfortable telling any kind of story. — Daniel Clowes

I think politics has an influence on my work now, perhaps more so than when I was a childless young man, but I hope never to deal with these kinds of issues in anything more than a covert manner. I'm more interested in figuring out what I think than in pronouncing my views to the world. — Daniel Clowes

Daniel Clowes Famous Quotes And Sayings

One of my weekend hobbies is to go look at old houses when there are open houses around here. Just to go look at the architecture. And you can see how many houses were built around 1977, the year where everyone said, "Let's put in these aluminum windows instead of beautiful hand-made wood ones." — Daniel Clowes

I believe in the transformative power of cinema. It is only through this shared dream-experience that we can transcend the oppressive minutiae of daily existence and find some spiritual connection in the deeper reality of our mutual desire. — Daniel Clowes

When I go back and reread the stuff, I'm always floored by how deeply personal and revealing it actually is. — Daniel Clowes

I just try to make comics for myself, try to give it some kind of unity throughout. That often involves tiny details. I'm never sure what's going to be obvious or what nobody will ever notice. I put stuff in my comics that I thought was blatantly obvious, and nobody noticed. And things that I think are buried in the background, everybody gets it. So I try to be consistently aware of every part of the frame. — Daniel Clowes

Something I always wanted to do, to capture that later half of the '70s. It's like the early half of the '70s is still the '60s, in that there's still kind of a playfulness and inventiveness in terms of design and the things that were going on in the culture. The second half, it got much more commodified. It's possibly the ugliest era of architecture and clothes and design in the entire 20th century, from 1975 to '81 or '82. — Daniel Clowes

I've felt that in the past, where I just felt like I had to keep drawing in the same way to maintain this sameness and rhythm throughout an entire book, and it was not really necessary. — Daniel Clowes

I think a comic looks better in the magazine. The colors are designed to be on paper, not illuminated on screen. I don't like the aspect of people reading it for free. When people get things for free, they tend to not take them as seriously. But I don't know. I'm sure 10 times more people are reading it online than in the actual paper. — Daniel Clowes

Often I'll do research just to get a time period correct, but I didn't have to for the '70s... I feel like I can close my eyes and still see it so clearly. — Daniel Clowes

It's hard to tell if anyone's interested in reading a serialized story. But it's interesting to put in a cliffhanger each week. That was popular in old comic strips. They'd write a weekend story different from the daily strip. So people follow one story day to day, and a separate story on weekends. If you read them, you think "I'll read two more." Then you're like "I gotta find out!" And you read 500 more. — Daniel Clowes

I was thinking the other day that there will never be another form of music that everybody has to respond to - like disco. — Daniel Clowes

Alfred Hitchcock talked about planning out his movies so meticulously that when he was actually shooting and editing, it was the most boring thing in the world. But drawing comics isn't like shooting a movie. You can shoot a movie in a few days and be done with it, but drawing a comic takes years and years... That's the biggest part of doing comics: You have to create stuff that makes you want to get out of bed every morning and get to work. — Daniel Clowes

All I can say on the Guilford story - and this comes more from my perspective as a father than an artist - is for parents and administrators to give so little value to the career of a public-school teacher - to allow him to be cast aside without exhausting every avenue to resolve the issue - is an obscenity worse than anything I've ever drawn in my comics. — Daniel Clowes

I think there was a point that I realized I could do what I wanted to do in terms of the drawing. I used to run around a lot of things. I would shy away from certain things that I realized would be horrible for me to draw, and just wouldn't be fun. — Daniel Clowes

As soon as I'm finished with it, it feels like an impersonal project. Like, "Well, I did another book." — Daniel Clowes

I never feel there's anything I can't do with comics. There are certain things in comics that you can't do in any other medium: for instance, in Mister Wonderful, Marshall's narration overlaps the events as they're going on. That would be difficult in film; you could blot speech out with a voiceover, but it wouldn't have the same effect. That's always of interest, to see what new things you can do in comics form. — Daniel Clowes

In a movie, you have to be mindful that no budget is going to be able to deal with running around the globe at every whim of the writer. — Daniel Clowes

Writing screenplays is very freeing from what you can do in comics in a lot of ways. You can change things around. I can take great delight in writing 40 pages, then just pressing delete and getting rid of it and not thinking about it ever again. Whereas in comics, if I had put that kind of effort into it, I couldn't go on. — Daniel Clowes

I'm usually the last to see my influence in other people's work. People give me stuff and say "Oh look, this guy's ripping you off," and I'm like "What do you mean?" Often I see the people that I've ripped off filtered into my own work. In other people's work, I can only see specific, tiny little instances of inflections stolen from another artist. — Daniel Clowes

Before I could read, I remember trying to piece together the stories from the images. It was a very primal experience. — Daniel Clowes

I try to employ a different strategy for each story. Often, I'll have a specific look in mind before I even have the story to go with it. I'm not so much interested in forcing the issue of reader identification through various graphic tricks. I'm more interested in creating specific characters that resonate with my own particular inner struggles. — Daniel Clowes

My feeling is that it's one of the very few things that comics can do that you really can't do in any other medium. I feel like the reader accepts all of these styles, and after a certain point you can flip the pages and see a character rendered very differently than you saw on an earlier page, and it's not jarring. It suggests things that you can't suggest just in the writing or in the plotting. — Daniel Clowes

If you think about it enough to have a really articulate answer, you're not doing it right. That's how I feel about art. If your thought process could take you to knowing exactly what you're doing and why, there would be no point in making the art. It would become like propaganda. It's more nebulous than that. — Daniel Clowes

I think that's what we're all most terrified about: that we'll just die and disappear and we'll leave no trace. — Daniel Clowes

For example, I noticed that every single kid in the high school in 'The Death-Ray' is based on somebody I went to high school with. — Daniel Clowes

I try to only work on the screenplays for a few hours a day when I'm in my most voluble mood, just sort of writing whatever comes into my head. It's a very freeing thing. — Daniel Clowes

I enjoy the opportunity to use swear symbols. The reader reads into them something worse than what you normally would have. They work as this outburst of incoherent anger. I've found ways to write around swearing that are much more effective, rather than going for what someone really would say. — Daniel Clowes

I started drawing at a very young age. Writing a story wasn't satisfying, but to actually draw our own world - it's like controlling your own dreams. — Daniel Clowes

I knew how to draw all of the different smokestacks on the old trains and all that stuff, and then I realized that if I can draw trains, which is the thing I was probably the least interested in in the world at the time, I can do anything and find a way into it that will be interesting. — Daniel Clowes

Writing a screenplay, I'm like, "All I'm responsible for is that final script, and I take great effort and pride in that." But once I give it to someone to make, I can disassociate with it entirely and not worry that my vision isn't being represented, because I understand fully that that's not how it works. — Daniel Clowes

I think I've had the fantasy of a ray-gun that could erase the world from the time I was a very little kid. — Daniel Clowes

Usually when I put together a book like this Death-Ray hardcover or that Ghost World special edition, then I have to reread it and see if there is anything I want to change or any re-coloring I want to do. That's when I'm faced with the actual work. When I'm working, I'm too close to it. I'm sort of inside, and I can't see it at all. So when I have that experience of rereading it years later, it's jarring. — Daniel Clowes

I'm a fan of parchment and wood pulp. — Daniel Clowes

I feel like a lot of my aesthetic was in response to feeling the awfulness and cheapness of that [ the 70'th]. — Daniel Clowes

I used to use cigarettes to indicate somebody's an outsider a lot. It gave character a seedy, disreputable, almost suicidal quality. Now cigarettes are so unused - - you can't have anybody indoors smoking. If you drew that in a restaurant, you'd have to have a panel where the manager comes over and kicks them out. Unless it's set in Europe, you can't really do that. Characters who smoke - - it dates comics, somehow. — Daniel Clowes

The secret to being alone is to organize your time; to develop habits and routines and gradually elevate their importance to where they seem almost like normal, healthy activities. — Daniel Clowes

I've had a real lucky time working in Hollywood. I've talked to other screenwriters, and they're all kind of beaten down and their spirits are crushed, because they work on these screenplays and these projects, and then directors either take them and change everything, rewrite them and make them worse, or they film them and they're nothing like how they imagined it to be. — Daniel Clowes

But they always just laugh off everything I say, when really I want absolutely nothing more than to destroy the world they live in and to watch them suffer, alone and miserable, trying to live in my world for a change! — Daniel Clowes

I lose faith in everything else, but rarely in my work. If I start to get bored, I change it to make it more interesting. I try not to take it too seriously, but I also try to never cheat or hurry things along. — Daniel Clowes

I think if you had different artists approaching the material in different styles, that's very different. I think it's an interesting thing to discover, what's present in the work even when you're shifting the styles. I've just found it a much stronger way to work. — Daniel Clowes

Surely comics require more effort on the part of the reader than movies or television. I'm always learning new things you can do with comics that wouldn't work in any other medium, and often they require the need to process a lot of dense information. Of course, the trick is to make the complicated seem effortless and spontaneous. — Daniel Clowes

Avatar is a total nerd thing, and yet our popular culture has somehow made all that stuff acceptable. — Daniel Clowes

More and more, I tried to make comics in the way I like to read comics, and I found that when I read comics that are really densely packed with text, it may be rewarding when I finally do sit down and read it, but it never is going to be the first I'm going to read, and I never am fully excited to just sit down and read that comic. — Daniel Clowes

I can look at my early work and see what a pained struggle it was to draw what I was drawing. I was trying so hard to get this specific look that was in my head, and always falling short. — Daniel Clowes

I think that gulf is what makes the work interesting, but as a creator it's endlessly frustrating because I'm starting out with this goal, this thing I'm trying to create, and then the thing I actually do create is very, very different. It's always painful, in some ways, especially when it's just finished. — Daniel Clowes

I actually start drawing things. Usually they're abandoned before I commit too much time and effort. — Daniel Clowes

Life Lessons by Daniel Clowes

1. Daniel Clowes teaches us to be open-minded and to challenge our preconceived notions of the world around us. His work often explores the complexities of human relationships, and encourages us to think critically about our own lives and the lives of those around us.
2. He also encourages us to embrace our own unique perspectives and to use our individual experiences to create meaningful art. His stories often involve characters who are struggling to find their place in the world, and his work encourages us to embrace our own struggles and to find our own paths.
3. Finally, Daniel Clowes reminds us to be brave and to take risks in order to create something truly unique and meaningful. His work is often humorous and irreverent, but it also encourages us to push ourselves