24+ Michael Graves Quotes On Education, Culture And Art

Michael Graves is an American architect and designer. He is known for his postmodern style and his use of bold colors and geometric shapes. He is also the designer of the iconic Alessi 9093 kettle. Following is our collection on famous quotes by Michael Graves on education, leadership, culture.

Top 10 Michael Graves Quotes

1. My favorite project is always the next one.
2. Architecture is not all about the design of the building and nothing else, it is also about the cultural setting and the ambience, the whole affair.
3. If I have a style, I am not aware of it.
4. In any architecture, there is an equity between the pragmatic function and the symbolic function.
5. Architectural and product designs have a narrative capacity - you can start to tell a story about them and imagine a lot of things.
6. I wouldn't have been a health care nut if it hadn't been for my paralysis, so something good came from this.
7. I've always believed that what can make a domestic setting truly home is the infusion of a cultural dimension.
8. I don't care what people call me, labels have the negative value of making smaller boundaries for people.
9. I stayed true to what I thought was good design no matter who it was for.
10. The dialogue of architecture has been centered too long around the idea of truth.

Michael Graves Short Quotes

• It was always my goal to 'up the ante' on good design and rye devoted much of my career to this.
• I have no requirements for a style of architecture.
• I don't believe in morality in architecture.
• I know that's not something that people like to do - identify a favorite. But I do.

Michael Graves Famous Quotes And Sayings

I once got a postcard from a French poet who wrote - "you don't know me but I'm always very grumpy when I get up in morning. But when I get up now I put the tea kettle on, and when it starts to sing it makes me smile - goddamn you!" That's what happened when we first designed it - we got a lot of mail. — Michael Graves

The design of the building addresses the public nature of both the urban context and the internal program. In order to reinforce the building's associative or mimetic qualities, the facades are organized in a classical three-part division of base, middle or body, and attic or head. — Michael Graves

My favorite is the garlic press. I think it's beautiful as an object. But the awkward part of it all is that I don't use it much because I'm allergic to garlic. — Michael Graves

Architects love to rethink a project - that's what we do. If something is successful, like a house or a kettle, in this case, it's a great compliment when someone wants another one. — Michael Graves

I learned in architecture that you have to have a real plan. You have to have a client, they have to have distribution, start-up money, and have a vision of where it's going to go. All this has to be settled before you start, or else your work is just a story. — Michael Graves

I have architects write to me and ask me: How do you - and what do you do to - design the magic thing? I answer that very carefully. It's not necessarily about what you do, but the clients you do it for. You should write to Target, not me. — Michael Graves

I see architecture not as Gropius did, as a moral venture, as truth, but as invention, in the same way that poetry or music or painting is invention. — Michael Graves

In designing hardware to be used every day, it was important to keep both the human aspects and the machine in mind. What looks good also often feels good. — Michael Graves

In America, writers are afforded the freedom to express themselves in unlimited manners. Creative liberty is a privilege. — Michael Graves

The Alessi relationship and the Target one has broadened the role of architects in society and broadened the concept that design belongs to everyone. — Michael Graves

Life Lessons by Michael Graves

1. Michael Graves' work demonstrates the importance of combining function and form in design, as he was known for creating beautiful and practical structures.
2. He also emphasized the importance of context in design, as he tailored his designs to their surroundings.
3. Lastly, he showed the value of incorporating symbolism into design, as his works often featured motifs from classical antiquity.