44+ Michael Kenna Quotes On Art, Education And Sale

Michael Kenna is a British photographer known for his black and white landscape photography. He has been taking photographs since the 1970s and his work has been widely exhibited and published internationally. His photographs are often of unpopulated landscapes and feature a minimalist aesthetic. Following is our collection on famous quotes by Michael Kenna on art, life, education.

Top 10 Michael Kenna Quotes

1. Nothing is ever the same twice because everything is always gone forever, and yet each moment has infinite photographic possibilities.
2. I often think of my work as visual haiku. It is an attempt to evoke and suggest through as few elements as possible rather than to describe with tremendous detail.
3. Perhaps most intriguing of all is that it is possible to photograph what is impossible for the human eye to see - cumulative time.
4. The golden rule in the arts, as far as I am concerned, is that all rules are meant to be broken.
5. I believe that photographers should be passionate, determined, disciplined and ready to seek out their own styles and identities.
6. Parks and gardens are the quintessential intimate landscapes. People use them all the time, leaving their energy and memories behind. It's what's left behind that I like to photograph.
7. I prefer to think of photography as a never ending journey with infinite possibilities. I love to return to places to re photograph. Nothing is ever the same. The options are endless.
8. I don't have anything against colour. It is just not my first preference. I have always found black and white photographs to be quieter and more mysterious than those made in colour.
9. Beauty is very much in the mind of the beholder.
10. One advances by standing on the shoulders of giants, but the ultimate goal is to find one's own vision.

Michael Kenna Famous Quotes And Sayings

For me, the subtlety of black and white inspires the imagination of the individual viewer to complete the picture in the mind's eye. It doesn't attempt to compete with the outside world. I believe it is calmer and gentler than colour, and persists longer in our visual memory. — Michael Kenna

I don't think it is even possible to define what a good photograph is, so it is difficult to instruct anybody how to make one. Beauty and aesthetics are subjective, and very much in the mind of the beholder. — Michael Kenna

I do have strong convictions and political opinions, but I don't think it's necessary to imbue my photographic work with them. I use photography as a vessel for visual material to flow through, to encourage conversation with the viewer. I try to present a catalyst and invite viewers to tell their own stories. — Michael Kenna

The first time, I usually skim off the outer layer and end up with photographs that are fairly obvious. The second time, I have to look a little deeper. The images get more interesting. The third time it is even more challenging and on each subsequent occasion, the images should get stronger, but it takes more effort to get them. — Michael Kenna

My advice to any budding artist is never to be satisfied with imitating others. This is but a means to an end. A serious artist will work with intensity to discover themselves, their own personal vision. I believe this is a fundamental aspect of the creative path. — Michael Kenna

Most of my work involves slowing down rather than speeding up. I prefer to look at prints than scans, and I prefer to look at original silver prints rather than digital prints. I prefer to look at fewer images, but spend time with those individual images. — Michael Kenna

There are many aspects about what and why we photograph: visual pleasure, personal empathy, intellectual stimulation, technical excellence, etc. Serious photographers and artists will try to create works that are original. Over a career period they may develop a singular identity in their images. — Michael Kenna

There can be no doubt that probability increases with practice. Fortune favours the brave, fortune favours the prepared mind, and fortune favours those who work the hardest. — Michael Kenna

If I had to give advice to other photographers, I would first suggest quickly getting over the camera equipment questions. In my humble opinion, the make and format of a camera is ultimately low on the priority scale when it comes to making pictures. — Michael Kenna

For me, this is one of the advantages of not using digital, I never know when I have a good photograph! I practice doubt as a way to push myself into alternative compositions by selective focus, different speeds of exposure, and unusual perspectives. — Michael Kenna

Everybody now has a camera, whether it is a professional instrument or just part of a phone. Landscape photography is a pastime enjoyed by more and more. Getting it right is not an issue. It is difficult to make a mistake with the sophisticated technology we now have. Making a personal and creative image is a far greater challenge. — Michael Kenna

If the quality of professional materials continues to erode or even dries up, then many of us silver photographers would have to follow the digital tidal wave. It certainly wouldn't be the end of the world, but in my opinion, having no silver material available would be a huge loss to photography. — Michael Kenna

I encourage playfulness and experimentation with both the camera and subject matter. Sometimes there is an obvious perspective, but it is important never to be satisfied with that. — Michael Kenna

I believe that we photographers don't benefit very much with answers from other photographers. What is more beneficial is to ask questions of ourselves and see what thoughts float out from within. — Michael Kenna

We all have choices and must make them for ourselves. — Michael Kenna

Craft is important, but cameras for their own sake are not. A sense of aesthetics, a connection with the subject matter, an enquiring and an inquisitive mind, these factors outweigh whatever equipment we use. — Michael Kenna

Easier is not necessarily better. — Michael Kenna

We see in colour all the time. Everything around us is in colour. Black and white is therefore immediately an interpretation of the world, rather than a copy. — Michael Kenna

As a landscape photographer we should be open to possibilities, for one thing often leads to another. — Michael Kenna

I try not to make conscious decisions about what I am looking for. I don't make elaborate preparations before I go to a location. Essentially I walk, explore, discover and photograph. — Michael Kenna

Of course, the whole photographic process has been made much faster, cleaner and far more accessible to people by digital innovations, which is really great. Everybody now has a camera, often as part of our phone, and most of these cameras require little to no technical training. An enormous variety of apps also enable us to take short cuts to finished images. We hardly need to even think anymore. — Michael Kenna

One needs to fully accept that surprises sometimes happen and complete control over outcome is not necessary or even desirable. — Michael Kenna

Different assignments, different places, require different approaches. Sometimes I take minutes in a location, at other times days. There are many places that I have returned to over several years. When I photograph, I look for some sort of resonance, connection, spark of recognition. — Michael Kenna

Essentially, I look for what is interesting to me, out there in the three-dimensional world, and translate or interpret so that it becomes visually pleasing in a two-dimensional photographic print. I search for subject matter with visual patterns, interesting abstractions and graphic compositions. — Michael Kenna

Time is of the essence, particularly if we're sending images out on social media. The reality is that the majority of images are only viewed for a few seconds, often on a phone or computer. There are so many images freely available that it takes a lot of will power to concentrate and prolong the gaze on one picture at the expense of the thousands of others waiting to be viewed! — Michael Kenna

I find that when one has worked long enough, technical know-how becomes almost irrelevant. In photography, it's not difficult to reach a technical level where you don't need to think about the technique any more. I think there is far too much literature and far too much emphasis upon the techniques of photography. The make of camera and type of film we happen to use has little bearing on the results. — Michael Kenna

Sometimes the most interesting visual phenomena occur when you least expect it. Other times, you think youre getting something amazing and the photographs turn out to be boring and predictable. So I think thats why, a long time ago, I consciously tried to let go of artists angst, and instead just hope for the best and enjoy it. I love the journey as much as the destination. If I wasnt a photographer, Id still be a traveler. — Michael Kenna

I would strongly encourage anybody embarking on photography as a career to embrace and enjoy the whole process. Being a photographer can be a wonderful way to experience the world. — Michael Kenna

I believe that every photographer, every artist, should choose materials and equipment based on their own vision. I don't believe that non-digital is necessarily better than digital, or the reverse for that matter. They are just different, and it is my preference and choice to remain with the traditional silver process, at least for the time being. — Michael Kenna

There is no one way of photographing anything. I don't believe there is even one best way of photographing any given subject. — Michael Kenna

Instant gratification in photography is not something that I need or desire. I find that the long, slow journey to the final print captivates me far more. — Michael Kenna

Approaching subject matter to photograph is like meeting a person and beginning a conversation. How does one know ahead of time where that will lead, what the subject matter will be, how intimate it will become, how long the potential relationship will last? Certainly, a sense of curiosity and a willingness to be patient to allow the subject matter to reveal itself are important elements in this process. — Michael Kenna

I enjoy places that have mystery and atmosphere, perhaps a patina of age, a suggestion rather than a description, a question or two. I look for memories, traces, evidence of the human interaction with the landscape. Sometimes I photograph pure nature, sometimes urban structures. — Michael Kenna

I gravitate towards places where humans have been and are no more, to the edge of man's influence, where the elements are taking over or covering man's traces. — Michael Kenna

Life Lessons by Michael Kenna

1. Michael Kenna's work emphasizes the beauty of the natural world, teaching us to appreciate the small details that often go unnoticed.
2. His minimalist compositions encourage us to look beyond the obvious and to find beauty in the simplicity of everyday life.
3. His work also encourages us to be mindful of our environment, to take the time to appreciate the beauty of nature and to be conscious of our impact on it.