I have a theory that self-made, first-generation actresses don't feel entitled to success.— Natasha Lyonne
The most revolutionary Natasha Lyonne quotes that will activate your desire to change
Life is not for the faint of heart.
It's a wild thing, that people have the ability to help each other by just relating to one another.
Remember when we didn't live in the future? When we were young, it was not the future yet.
The thing about curly hair is that it's a toss-up.
Some days you can let it air dry and it's better than a hair-do, but some days you just look like a sloppy person. I'm really resistant to a trim. I only do it when it gets hard to brush out in the shower, then I'll submit, begrudgingly.
I adore Eddie Kaye Thomas and Jason Biggs.
Eddie was the only one who called me when they were doing 'American Reunion' and told me, 'You need to do this.'
I often think my boyfriend is going to leave me just from seeing how I talk to the dog. But you know, when you are talking to your dog, you are accessing this softer side of you. Everything else melts away.
Life is a wildly transient thing with people coming into your life and dropping away. It definitely takes work to maintain relationships.
I have a lot of friends who are trying to clean up their act, or that are still making trouble for themselves, so I’m definitely well-versed on what goes on in the mind and the heart of a person who self-destructs as their coping mechanism, and also what they’re like when you take their preferred substance away.
What I like to do is to give my real name in Starbucks but be really hostile each time, as if they're asking me something that I've never heard in my life. I give them a really dirty look, "Really? It's Natasha. Okay?" Like I've never been to Starbucks before. Each time. I enter the premises looking for combat.
Ultimately, I think people are so hopeful for having some joy in life that is really hard to find. You can't make a living, and the idea of doing one small bank robbery or something, just trying to find your way in a life, finding your footing and ending up behind bars.
The person sending ironic text messages has no idea that their voice does not sound so great in text. There's no dry sense of humor in a text. It comes off as a little bit shitty.
Let's face it. I'm an open book.
If I was a bajillionaire, I would spend a lot of time at Barneys just buying all kinds of great things all the time. I would have so many black cashmeres it would be out of control. I like the way nice things feel very much.
I am a hooker with a heart of gold.
Anormal day looks like, you know, shower, put on the same jeans, the same tattered Gucci loafers I got at the thrift store, white socks, and my t-shirt and my very beat-up Helmut Lang blazer. Im in the exact same outfit every day.
I learned that if you're going to be a troublemaker, you don't want a ton of witnesses, because there's inevitable fallout from living like you're in 'Lord of the Flies.'
There's that special magical place that exists when you forget everything else because you are laughing hysterically. It's the only truly safe place and it can happen with a stranger or a best friend.
It's not easy trying to navigate your internal world in the public eye.
I would have done well as a gypsy child, I think.
A circus baby. I coulda played a great street urchin or ragamuffin. Or just been one. I certainly liked entertaining people and making jokes, but I don't know necessarily if that's what your child is prone to that you should necessarily put them in a real working industry at six years old.
I started wearing all black around the time I got into Nirvana.
I first heard 'Smells Like Teen Spirit' when I was about 12, and I remember jumping on my bed, so excited about it.
It's such a weird thing: to sit and look at yourself is so distracting to the psyche. It would be like me standing in front of a mirror and looking at myself all day, trying to find a flaw.
My hair is such a statement that it's like a neon sign asking for trouble.
I was this kid who had been raised in New York, and now all of a sudden, my mother decided that she was a Jewish divorcee and therefore she should be living in Miami Beach.
My family moved to Israel when I was eight until I was 10, and then we came back, and my parents split up. I was suddenly in a single-parent home and on scholarship. Fifth grade was such a hard year for me.
As a New Yorker, or wherever I am, I just want to know I can get our of the house in five minutes if I have to and not have to spend a bunch of time obsessing in the mirror, trying on a million different options. Now, I just know what works.
The aging process is totally minimizing.
Life in general is pretty minimizing because you have a lot of big ideas, and you have to battle the mistaken delusions and instability that come with youth.
Beauty was never really my trip. Maybe those roles are attracted to me?
Your trade becomes very much impacted by the quality of your life experiences and your capacity to process them.
I have a deep compassion for the idea that it's okay to be myself.
The idea that anything 'other' is bad and wrong and broken is so wildly off base.
No, but it is something I really enjoy speaking about.
You've got to do something with all the books you've read, so you might as well imagine you've optioned them.
When I was a young person working, everybody was older than me, so I had to kind of keep up. I'd see every movie and listen to everything played, and read all the relevant books. Being an actor, it's kind of your job to know what came before you and how big your feelings are allowed to be.
I don't really feel like I need to be a teenager ever again.
You compare yourself to somebody who you think is a peer, and you can totally lose the plot, and not understand that you are nothing like them in the first place, and it was never you versus anybody.
I'm really enjoying growing up. I feel like so much of my life was in an existential crisis when I was young, and I don't feel as bogged down by that anymore.
As a woman, I've learned that having a uniform of your staples or setting your look and saying what distinguishes you - like red lips or hair or whatever - leaves so much time for the rest of the day.
The world at large doesn't always make sense to me, and there are safe havens.
Linda Manz in 'Out of the Blue' is one of them.
I'd love to go to school, but every time I try I get a movie.
That's actually how I get work: I enroll. That's like my good luck charm.
There are epic downsides to living a somewhat public life.
The upshot of that is there's nothing to hide. It's a relief in a way. There's nothing about me that can't be said.
Over time, you realize that even the things that are most high stakes kind of resolve themselves.
The interesting trick of comedy, in a lot of ways, is to have both the comedy and the grounding of the real thing. You get a real sense of a human being.
I will take the subway and look at certain women and think 'God, that woman's story will never be told. How come that lady doesn't get a movie about her?'
My car is always black. I really struggle with red cars. I don't want to attract too much cop attention.
I'm a movie star. Can I talk to my entertainment lawyer?
I'm a text artist. It's an unsung art form because it's so ahead of its time.
I have a pretty fancy facialist, this woman Dale Breault.
Getting older, it's a good thing to have a serious facialist.
I have a television, but it's not connected to anything. I watch everything on my computer.
I grew up in Manhattan, and I've always had all kinds of people around me.
I've always had a very 'live and let live' point of view.
I definitely would rather take a nap than get angry.
As a rule people don't think other people on drugs are funny.
They think they are tragic. They have a point, but I still had the funny.