There is nothing wrong with loving the crap out of everything. Negative people find their walls. So never apologize for your enthusiasm. Never. Ever. Never.— Ryan Adams
The most profound Ryan Adams quotes you will be delighted to read
When I'm in New York, I just want to walk down the street and feel this thing, like I'm in a movie.
You could eat sushi off my bookshelf.
My cleaning regime is like a battleground. I'm Genghis Khan and my cleaning products are my Mongolian army and I take no prisoners. The rest of my life is an experiment in chaos so I like to keep my flat neat.
I want to make sure I'm with a girl that's a good kisser, and that when I wake up, I have coffee and a cigarette. That's all I really want out of life. That, and world domination.
That's why I played music; my social skills were limited. I think a lot of people that experience that pick up guitars, because they can't communicate otherwise.
I no longer know the author of this book, for simply stopping long enough and writing it down was where I changed from a boy with his eyes squeezed shut to a man with his eyes wide open so that the sunlight might reach my heart despite all that darkness.
I should've died a hundred thousand times,Teetering stoned off the side of a building.Nobody loved me and nobody even triedYou can't hang on to something that won't stop moving.Singing and dancing to them nighttime songs.
Is it possible to love someone too much? You bet.
To conceive music, to execute it in front of others, to make it so others can do it...it can be pretty humbling, and kind of scary. So yeah, I don't really feel in competition with anybody. Not because I feel elitist, but because I have enough self-competition. I'm always struggling.
A lot of my songs, they're like puzzle pieces, and there's just one way to put them together. You could, if you needed to, get the scissors out and cut up things to make them work. But I don't want to do that.
Bad nights lead to better days
Can you still have any famous last words if you're somebody nobody knows?
I have found in black metal the lyrics are profoundly beautiful.
.. a pathos and mythos at the same time.
I'm a pretty bad troubadour. I'm more of a music fan who got away with making records.
I think that music, or at least the kind of music that I make, benefits greatly from improvisation.
I think it would be wrong to consider 'Ashes and Fire' a love album.
The record is obsessed with time. I believe that there is a kinder view of the self on this record.
I use to be panicked, but know I'm curious!
My intentions have been, and are always, to just really get behind what my ideas are musically and to just ride this thing out, cause it feels good, and I think for the most part it's good music. Even when it's not, I'd like to still search for something that could be even like a little bit mind-blowing or shocking to me.
When You're young, you get sad, and you get high.
It would be really nice to make a record that would be super-fun to play live - a record that would be funny, with a little bit of heart.
This is going to sound crazy, but I can hear music in my head.
I can imagine a piano or a guitar playing, and I can sort of think out.
I was a nervous young man. I wanted to do so many things. And I was so enthusiastic and earnestly in love with so many things that I tried too hard. I tried really, really hard. And I made a lot of mistakes. I was afraid of a lot of stuff. And I kind of feel bad for that person I was.
For any producer I've ever worked with, their toughest job is to convince me to not to obscure my vocals. A lot of people don't like the sound of their own voice on, like, cassette tape or something. It's like that for me, and other songwriters I know. Like, "Oh God, that's what I sound like?"
I'm actually a pretty upbeat person outside of playing music.
I think that we live in a time where it's easier to be suspicious of dedicated men and women, people dedicated to their craft, because the world around them inspires them to be lazy. It inspires them to be negative. It inspires them to be snarky.
I'm not the cool thing, and I'm not going to be the cool thing for a really long time, and it isn't like I'm not the cool thing and I sell 3,000,000 records every time. I'm not the cool thing, and I barely sell 150,000 records, if that, ever. So I'm obviously working really hard to sustain myself. I'm actually a target to be dropped, because that's just not enough records for a big company.
Not to discount my music, but I'm always suspicious of the music that I make on some level, as to how valid it is. Or maybe not "valid," but how important.
It's really very easy for me to be in The Cardinals, because I bring my voice, my guitar, and my songs to them, and then we all play around to find out what works.
Caitlin Cary and I were always talking about X when we talked about whiskeytown, before it became an actual band. We like the concept of there being no real front person in X, yet this kind of switch up of vocals and really their sheer power, and their ability to sort of bastardise punk rock and midwetsren rock and even country into their own sound.
Collaboration has become really integral to my process.
I play music so that I can spend time with my friends and communicate in that way. I experience so much joy in that process, because, you know, it's those times of getting together and playing music and all that comes with it that are the best for me.
Do you remember stormy winter?Well button up your coat, one's comin' soon
What I love most in life happens to be the very thing that I do day-to-day, as my work. What would be my hobby, you know, happens to be my actual job. So I'm very lucky. Even if I didn't want to do as much work as I do, I'd still feel compelled to, because I so longed to be a full-time artist, and since I've been given that opportunity, I'd never want to let down the gift.
Being a rock musician is already like ego-tripping hardcore.
You're self-consumed, and you're always thinking. It's really easy to say, "I'm going to write a song about this situation, and when I'm done, everyone will care." To everybody else, that's ego-tripping.
I kiss her mouth and I know... for everything there is a word... for everything but this.
While you can fill every heart as your own full of laughter loud as gold and passion quick as silver.
I do craft songs, that this is designed.
It's almost like the song was written to produce this desired effect. And it probably really works for somebody. It's maybe somebody's favorite tune, and it's really hard to come down on that, even if I feel a little embarrassed for it. Because some songs are written like a commercial, and that can be a little strange.
I like the idea that within the structure of the song, some kind of built-in improvisation keeps them fragile and in their moment, so that I'm not projecting so much, so that my perception of the song doesn't interfere with what its real body is. Sometimes it's like telling a story that I heard in passing, and I don't want it to become completely mine.
The process of making music is more interesting to me than the end result.
If I was a cook, I'd be more interested in cooking food than eating food.
On Heartbreaker, I had to sing those songs.
I drank the way I did those songs. I ate the way I did those songs. I communicated the way I did those songs.
I was never much of a bass player.
Writing and creating, those things come to me on their own.
I feel like... you sort of summon them and it's like allowing the universe to enter your heart in an entirely different way to what it normally does. It's like inviting that energy of the universe to enter into your craft in a way where it has a meaning.
I don't think I've ever gone on stage to be an asshole.
I know one thing, from the past, and that's that my intentions always began in a pure way. I really want to just try and play the songs.
Rock records. It's the main source of inspiration for people - fans, or musicians, or both - to act out in ways that they wouldn't normally act out. Especially rock critics. Ultimately, records don't really hurt anybody, and neither do reviews.
For me, a record is valid when I actually hold the vinyl.
Like, I've worked on the art for a while and I see the vinyl and I go "Ooh, it's an actual LP. How cool is that?" That's very sacred to me. You can't take that back, you know?
I went down to Houston and I stopped in San 'Antone, I passed up the station for the bus. I was trying to find me something, but I wasn't sure just what... man, I ended up with pockets full of dust.
I think I've been incredibly raw my whole career.
A lot of people spend a lot of time trying to look cool and spend time being guarded and putting up walls. I just never had the time. It seems more honest to say, 'Hey, this is who I am.'
To make a song is a gift, and once it's done it keeps evolving and changing and becomes a tool to interact with other people. It's like a conversation.
I can sort of will that stuff to happen to me if I put myself in the right headspace. Then I can actually get to a space where it won't just be one song that comes through, but a series of them.
I don't think, that all my stuff could've been records.
Some, maybe. The ones that I really wanted to be records, those are the ones that are going into the box.
It sounds like I'm channeling or something, and I don't really fully understand what it is. I'll get a piece of paper and write down what I think is coming to me. And I'll play it once. Whether it's being recorded or not, I can then usually remember it for a sometimes shocking amount of time.