Frankly, my dear, I don't give a damn.— Clark Gable
Impressive Classic Films quotations
Mrs. Robinson, you're trying to seduce me... aren't you?
I wish I knew how to quit you.
Keep your friends close, but your enemies closer.
Greed, for lack of a better word, is good.
The act of seeing any film generally is you knowing more than the characters, even if its the classic Hitchcock shot of two people talking and a bomb being under the table. Part of the pleasure of it is seeing where people go wrong, and the irony of situations.
The Goonies' is classic. That's, like, the movie I bring with me if I go out of town for a long time, because it just makes me think of the best times I've seen it with my friends growing up. Dude, everybody knows that movie, everybody watches that film. Best family film ever made.
I've found out that money is the most important thing in the world and, as God is my witness, I don't ever intend to be without it again. I'll never be hungry again.
Although I enjoyed writing Film Music it was always a means to an end, in that it enabled me to keep a wife and family and write my classical music, which has always been my passion.
An instant family classic that is utterly unique but reminiscent of films like 'E.T.,' 'Sound of Music' and 'Life Is Beautiful.'
Greed, for lack of a better word, is good. Greed is right, greed works.
I had great inspiration from a Japanese composer named Toru Takemitsu.
He wrote over 90 film scores and a lot of concert music, a lot of classical music, and he gave me a lot of inspiration, as well as composers from other countries.
We have our classic hood movies, right? Like "Boyz in the Hood.
" We have our classic conscious films like Spike Lee's "Do the Right Thing," or "Stand By Me." Even beyond Coogler, there are black films that are just voices. So the intention behind this ["The Land"] was to capture today's.
Don't let's ask for the moon.We have the stars.
A man's got to know his limitations.
Every man has got to know his limitations.
A boy's best friend is his mother.
My name is Inigo Montoya, you killed my father, prepare to die!
I would have to say I might do some stuff, but it's the film that's appealing.
I was raised on film. My musical experience is all via film, it's not from classical music.
I would love an old classic car, or something like that.
I'd get something much more subtle than any of those cars. The Lamborghinis were unbelievable to drive and to sit in and to film in. I loved the sensation because I love driving, so I appreciate them for what they are. But, I couldn't go into a showroom and buy something of that expense.
This is the launch of the Doctor Strange film interpretation, of - in my view - a classic, which has been interpreted many times by other graphic artists and this is just our graphic interpretation of The Ancient One. I would say the whole approach is about a kind of fluidity.
I used to like to set different film clips to classical music, not even my own songs, but make little movies.
I came out of film school and went after movies that I thought audiences wanted to see or that the studios wanted, as opposed to the movies that I wanted. Over the last 10 years, I've gravitated more and more toward the films that I grew up loving - classic Spielberg, Lucas, James Cameron and Ridley Scott movies.
To evoke the classic period of Italian cinema in a little film seemed like a great, fun thing to do. I had relations to that period. I had known Fellini and I had known Antonioni. I had made a movie with Antonioni and I had visited Fellini in his studios. So, it seemed like something worthwhile doing. You bring yourself to that mythical cinema.
In order to be an artist and an actor, like tackling the classics in the theater as well as film, there's lots of discipline, lots of work, physical work put in.
You get used to being lazy doing films, but classical theatre's going to finish me off.
I wish I knew how to quit you, Tumblr.
It's sad that women characters have lost so much ground in popular movies.
Didn't 'Thelma and Louise' prove that women want to see women doing things on film? Thelma and Louise were in a classic car; they were being chased by cops; they shot up a truck - and women loved it.
I'd like to do a piece of Shakespeare.
Any upcoming Shakespeare film. Just a bit to say I did a classic.
I think that Michael Myers is an icon.
The bad guys, it's always the bad guys that everybody loves. It's Michael Myers, it's Freddy, it's Jason, they're like the Dracula and Frankenstein of our generation. I think it started a new wave of horror films. They're cult classics and they're something that everybody wants to watch on Halloween.
It is our stories [classic Disney films] that make us human - so Owen [Suskind] has become an expert in what connects us and makes us human. That got to me, the power of these stories, and the lessons these tales give us to create the connection between us.
All directors make films in individual ways.
But the classical kind of view of filmmaking is that you have a script and it's very linear.
I always find it funny when people say, "I don't really like classical music" or "it doesn't do anything for me." I tell them, "Well, you know, it does. You go to films and you're responding to it, and you've heard it..." It's controlling you! So don't think you're not being affected. It's a great medium for music.
I am a fan of movies and there is something about watching film that is burned into celluloid for all time that is now a piece of history. You go watch, being a fan of classic films and my children and their children are going to be watching these movies.
I've been fortunate to be in films that are classic, that are going to be around.