quote by Jimi Hendrix

Technically, I'm not a guitar player, all I play is truth and emotion.

— Jimi Hendrix

Profound Guitar Player quotations

Guitar player quote It's better to be a pirate than to join the Navy.

It's better to be a pirate than to join the Navy.

I wasn't originally a bass player. I just found out I was needed, because everyone wants to play guitar.

When I think of a lot of the players I admire, they could always play their parts without hiding behind distortion and sustain. Put the time in. Hear your mistakes. Yeah, it sucks, it's humbling, it makes you want to throw the guitar out the window. But if you work on your mistakes, they'll eventually go away, and you'll become a strong player.

Guitar player quote A good coach will make his players see what they can become rather than what the

A good coach will make his players see what they can become rather than what they are.

As far as being a 'player's player,' you've only got to go to Nashville or Argentina and you can forget about it. The world is full of amazing guitar players, and you know it, and I know it...it's a humbling experience.

Look what venison does to a goofy guitar player from Detroit? I'm going to be 54 this year and if I had any more energy I'd scare you.

If you don't know the blues... there's no point in picking up the guitar and playing rock and roll or any other form of popular music.

Guitar player quote Of course, my father was a soccer player. He used to play very good. Then I was

Of course, my father was a soccer player. He used to play very good. Then I was young, eight or nine years, ten years old, I just want to be like my father.

I don't play a lot of fancy guitar. I don't want to play it. The kind of guitar I want to play is mean, mean licks.

Guitar is for the head, drums are for the chest, but bass gets you in the groin

I started out playing guitar because Jimi Hendrix was my hero, so my roots were really based on Jimi Hendrix and his style of playing.

If you play music for no other reason than actually just because you love it, the skills just kinda creep up on you.

I practiced two or three hours, sometimes none, sometimes six. It was very varied.

I always hated jazz guitar. I loved jazz saxophone but I hated jazz guitar. If I would buy an organ trio record I would make sure I'd buy one that did not have a guitar player on it. The sound was awful!

I could have probably gone on and still played the part of the guitar player of Limp Bizkit, but musically I was kind of bored. If I was to continue, it would have been about the money and not about the true music, and I don't want to lie to myself, or to them or to fans of Limp Bizkit.

I have a little history. I met Stone Temple Pilots, and their guitar player was a huge Extreme fan. Somewhere down the road, Extreme made its statement.

Besides being a guitar player, I'm a big fan of the guitar. I love that damn instrument.

You can be a singer, and you can be a guitar player, but putting them together is another animal.

My technique is laughable at times. I have developed a style of my own, I suppose, which creeps around. I don't have to have too much technique for it. I've developed the parts of my technique that are useful to me. I'll never be a very fast guitar player. I don't really know what to say about my style. There's always a melodic intent in there.

A lot of people think that if they learn to read music they are gonna lose their feel or their groove or something. It's the stupidest thing I have ever heard.

It's always funny to me when people use the phrase 'Best guitar player in the world'. There are too many variables such as technique, uniqueness, emotional investment in the notes, etc. But If I had to pick one, it would be Tommy Emmanuel. Watching him perform can be a study in artistic and virtuosic human achievement.

Listening is the key to everything good in music.

The thing about guitar players is we're all like a brotherhood or sisterhood.

We don't care if you're great, good, bad, in between or whatever. As long as you love it, then we're all going to help each other.

Every July, August and part of September I escape of the guitar, I escape of Paco de Lucia and I go to Mexico to the Carrabian. I have a little house there where I spend two months listening to music, no playing because I don't bring the guitar with me, fishing and cooking my fish and charging the batteries for new concerts.

I assume most guitar players are like me.

They're playing, having fun; then they get a magazine in the mail that says "Shred Is Dead" and they say, "What the Hell?" They throw it away and keep on playing.

When you heard Jimi Hendrix, you knew it was Jimi Hendrix.

He introduced himself with his instrument. His attack to a guitar man, was, oh, something else! You think of one of the great American ball players, or one of the great fighters of the world, you know, that's the way he would attack any note on his guitar.

I'm glad there are a lot of guitar players pursuing technique as diligently as they possibly can, because it leaves this whole other area open to people like me.

As a musician and a guitar player, I can noodle as well as anybody.

But from my background as a session musician, I always try to play what is called for by the lyric and listening to the song. As a writer, that's what I do, too.

A good player can make any guitar sound good.

Guitarists shouldn't get too riled up about all of the great players that were left off of 'Rolling Stone Magazines' list of the Greatest Guitar Players of all Time' ... Rolling Stone is published for people who read the magazine because they don't know what to wear.

One of the things that was crucial for me I got from Rory Gallagher, which was the idea of, like, being a guitar player for life and living it.

To be a great band it's like you have that telepathy.

You know when the bass player's in back of you without even looking. You know when your guitar player's coming up to you to lean up to you and sing into your microphone. You just know these things. You feel it. You feel the energy of it.

I can't say I feel influenced by today's guitar players.

Randy [ Rhoads] had small hands. Boy, could he play guitar. He became an even better guitar player after he died.

There is far more sensitivity in acoustic guitar players than could ever be compared to any synthesizer. That's a personal point of view but that's the way I see it. I think that's what it's all about. The drive, the fire, the passion - it all comes out on the guitar.

To be a good artist / letterer / designer / guitar player it takes practice.

A lot of it. More than you can even fathom when you're starting out.

The greatest guitar player in the world today for me is Paco de Lucia, who is actually Spanish.

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