The past becomes a texture, an ambience to our present.
— Paul Scott
Inspiring Texture quotations
Mine is a quiet exploration—a quest for new meanings in color, texture and design. Even though I sometimes portray scenes of poor and struggling people, it is a great joy to paint.
Certainly architecture is concerned with much more than just its physical attributes. It is a many-layered thing. Beneath and beyond the strata of function and structure, materials and texture, lie the deepest and most compulsive layers of all.
Polly Jean, I love you. I love the texture of your skin, the taste of your saliva, the softness of your ears. I love every inch and every part of your entire body. From your toes and the beautifully curved arches of your feet, to the exceptional shade and warmth of your dark hair. I need you in my life, I hope you need me too.
I search for the realness, the real feeling of a subject, all the texture around it... I always want to see the third dimension of something... I want to come alive with the object.
As I ate the oysters with their strong taste of the sea and their faint metallic taste that the cold white wine washed away, leaving only the sea taste and the succulent texture, and as I drank their cold liquid from each shell and washed it down with the crisp taste of the wine, I lost the empty feeling and began to be happy and to make plans.
Sampling is kind of prehistoric, given the technology and the textures you can create.
There's a certain way you stand to give yourself authority, which gives you the texture for the part. I chose that my character hadn't been married, he'd worked his way up the chain of command. For a small cameo role, I gave it a lot of thought.
the test of a cook is how she boils an egg.
My boiled eggs are fantastic, fabulous. Sometimes as hard as a 100 carat diamond, or again soft as a feather bed, or running like a cooling stream, they can also burst like fireworks from their shells and take on the look and rubbery texture of a baby octopus. Never a dull egg, with me.
Technology is making design more exciting, with color, wallpaper, textures, fabrics that could never have been created without the technology.
Matchy-matchy is not for me. I don't want things to be too perfect. It's like pairing a matte top with a shiny skirt, so they play off each other. I want there to be relationships with texture and color, and sometimes it's more about the contrast that chimes.
The friends whom I have are invaluable, and although not numerous they are sufficient for my enjoyment; and the texture of my own mind renders me very indifferent to the rest of the world.
The needs of mankind are universal. Our means of meeting them create the richness and diversity of the planet. The Montessori child should come to relish the texture of that diversity.
The true worth of a man is not to be found in man himself, but in the colours and textures that come alive in others.
Art is the colors and textures of your imagination.
Symbolism is no mere idle fancy or corrupt degeneration: it is inherent in the very texture of human life.
By the cigars they smoke, and the composers they love, ye shall know the texture of men's souls.
I happen to love coconut, particularly for that sweet and crunchy texture it adds to any dish.
Live a vital life. If you live well, you will earn well. If you live well, it will show in your face; it will show in the texture of your voice. There will be something unique and magical about you if you live well. It will infuse not only your personal life but also your business life. And it will give you a vitality nothing else can give.
Design isn't crafting a beautiful, textured button with breathtaking animation.
It's figuring out if there's a way to get rid of the button altogether.
What interested me was not news, but appraisal.
What I sought was to grasp the flavor of a man, his texture, his impact, what he stood for, what he believed in, what made him what he was and what color he gave to the fabric of his time.
Channeling my inner bohemian in a maxi print skirt and textured denim jacket.
Any good broadcast, not just an Olympic broadcast, should have texture to it.
It should have information, should have some history, should have something that's offbeat, quirky, humorous, and where called for it, should have journalism, and judiciously it should also have commentary. That's my ideal.
Only in black and white can I see the design and textures.
I don't consider color photography art. Black and white is an interpretation. Color is a duplication.
I am convinced that abstract form, imagery, color, texture, and material convey meaning equal to or greater than words.
Nudes are the greatest to paint. Everything you can find in a landscape or a still life or anything else is there: darkness and light, character dimension, texture. I painted heads too, of course.
Within two hours of where I live, you have mountains and desert as location.
I like the natural elements that abstract into light, texture, shape and shadow.
Most of our childhood is stored not in photos, but in certain biscuits, lights of day, smells, textures of carpet.
In spite of all the talk and study about our next years, all the silent ponderings about what lies within them...it seems plain to us that many things are wrong in the present ones that can be, must be, changed. Our texture of belief has great holes in it. Our pattern lacks pieces.
It's the texture of New York that people miss by filming elsewhere.
There are layers and layers of character - even in the pavement - that you can't get anywhere else. And the speed that the people move. It's so different from other places.
I'm not interested in the texture of a rock, but in its shadow.
Who taught you to hate the color of your skin? Who taught you to hate the texture of your hair? Who taught you to hate the shape of your nose and the shape of your lips? Who taught you to hate yourself from the top of your head to the soles of your feet?
I don't want to say I hear voices; well, actually I do hear voices, but I don't think it's supernatural. I think it's just that when characters are given enough texture and backbone, then lo and behold, they stand on their own.
The dissolution of the pictorial into sheer texture, into apparently sheer sensation, into an accumulation of repetitions, seems to speak for and answer something profound in contemporary sensibility.
Australia is one of the few places that I can think of where the cities, at least those I've been to, seem to have strikingly different characters and visual textures. To an American like me, there's basically Melbourne, Sydney and Brisbane and the rest is all bush.