Very often I say to myself: I would like to make a photo where nothing happens. But in order to eliminate, there has to be something to begin with. For nothing to happen, something has to happen first.— Sarah Moon
Craziest Fashion Photography quotations
Photography is about capturing souls, not smiles.
What I find interesting is working in a society with certain taboos and fashion photography is about that kind of society. To have taboos, then to get around them that is interesting.
My favorite type of photography - apart from fashion photography - is journalism, which in a way documents something that exists in a very precise moment, that didnt exist in a moment before and will not exist ever again. This has influenced my work a lot - I usually try to make my images look like they just exist, like no effort was put into it.
Some old-fashioned things like fresh air and sunshine are hard to beat.
I'm not a social person. Not that I'm not at ease. I'm pretty good, but it bores me. Not the people, but the whole thing. What for? It's not very productive. I only want to do what I have to do: fashion, photography, books. And that's all.
Part of the role of photography is to exaggerate.
Most of the photographs in your paper, unless they are hard news, are lies. Fashion pictures show people looking glamorous. Travel pictures show a place looking at its best, nothing to do with the reality... Most of the pictures we consume are propaganda.
Fashion is the opposite of the real, its worst enemy.
Fashion photography is subversive; it makes you believe everything is true, whereas this could not be more false. It is the opposite of a mirror, a deformation.
A photograph is the pause button of life.
When you think of fashion photography, it's a dream.
It's like we all want to be those women. We want to wear those dresses.
I like the stories. I like the narratives that you get in fashion photography. And I like what the clothes do to the body - the patterns and stripes and all of that.
I was born in the '60s and grew up in the '70s - not exactly the best decade for food in British history. It was horrendous. It was a time when, as a nation, we excelled in art and music and acting and photography and fashion - all creative skills... all apart from cooking.
Some old-fashioned things like fresh air and sunshine are hard to beat.
Is photography an art? There is no point in trying to find out if it is an art.
Art is old-fashioned. We need something else.
I really learned a lot from collecting clothes because I got to go back into the history of fashion and fashion photography and jewelry. It changed how I felt about fashion and about what I did forever because I used to look a little bit down on myself for it.
I didn't do well in high school, but I took photography, and I loved being able to capture moments. It led to more and more photography, and fashion was the angle into photography for me. It was incredible to see photographs by Irving Penn or Helmut Newton. I was really intrigued by that, and that's what led me to New York City.
Don't bend; don't water it down; don't try to make it logical; don't edit your own soul according to the fashion. Rather, follow you most intense obsessions mercilessly.
My introduction to photography and a lot of how I developed aesthetically was through '50s and early-'60s fashion magazines like Harper's Bazaar and Vogue.
I like getting my ideas from the things of now.
I am very conscious of the moment, of images that belong to this moment instead of another period. Fashion is really a reflection of our lives. You see women today and they don't do their hair up; they all wear their hair undone. So you have to reflect that in your photography .
Just like zillions of children, album covers educated and informed me, and certainly did I later transpose organically, rather than by intent, those principles both in fashion design and photography.
Fashions fade, style is eternal.
I love all of these new products that are coming out, things like headphones with cute, catchy names. There is also so much going on with the marketing of fashion. And then, I still love the classic stuff, like great dresses and wonderful photography.
I love to play the guitar. I also love photography and fashion.
Photography really is all about lines, and so is clothing.
I worked for Oberto Gili for a couple of years after I was at ICP; we worked in fashion, travel, interior design, everything. I was inspired by his styling choices within fashion photography, and I think those experiences helped steer me towards fashion design. I love photography as a medium, so I think I will always take inspiration from it.
Life is like photography we develop from the negatives.
I find fashion magazines so incredibly boring .
. . There still is no new photography and no new concerns.
I think creating the clothes is about creating historical images - and that's about more than fashion. It is about the fashion, the photography, what you are doing in the moment. It's what we call in French rechercher, or the search for that thing. So even though fashion is not scientific, I think being a designer is somewhat like being a scientist.
I think that's what really separates me in the world of fashion is I have a real understanding of actual clothes and how they work and how they should fit and a reasonably good artistic version of photography that kind of captures that. I think that was really kind of the best combination.
Beauty begins the moment you decide to be yourself.
Fashion has also been a great outlet, and I'd like to do more fashion photography in the future. I also photograph a lot of artists.
It's shot by Ben Rayner who I think is very talented at doing portrait photography as well as fashion photography. His images never look like a model. You know, it doesn't look like a faceless model just wearing whatever. There's always personality that comes through. That was quite important for me to capture.
People thought this was a computer IT gig, and that will flow through those nerdy departments and it won't come into fashion photography, it won't come into television, it won't come into my daily communications, it won't come into my telephone, my microphone, my light control, my microwave radio, my - I mean, just name it.
Style is very personal. It has nothing to do with fashion, Fashion is over quickly. Style is forever.
It was around the age of 18 when I started to feel like I had learned everything I could learn from being a model - modeling is a really incredible form of expression, but I got into modeling because I loved fashion so much and I really loved photography.
Photography should be redefined. It's largely technical... Photography is just unbelievably limiting. I always think of David Bailey and all the fashion photographers - they overlap, you can't always tell who did it. I don't really even like photography all that much. I just think it's so overdone.
Computer enhancement has spread to still photography in advertisements, fashion pictorials, and magazine covers, where the human figure and face are subtly elongated or remodeled at will. Caricature is our ruling mode.
Life is like photography, you use the negatives to develop
In 1990 I did a story with Helena Christensen about a woman who lives in a trailer in the middle of the desert and finds a little crushed UFO with a martian who has survived the crash. She takes him home, and they fall in love. Later he has to meet with his fellow martians who have arrived to rescue him. It's a sad ending. This was my first truly narrative story and apparently the first narrative story in fashion photography.
Most photographers go and photograph something that they see, that exists, and that somebody else has created - they document it. But fashion photographers have to create what they're going to photograph. We have to go into the thought and build it up, get a girl, get a guy, get a situation, get the house, get the decor. It's the meaning of the word photography: "writing with light."
Music defines decades, and quite clearly shapes the rhythm, vitality of fashion, attitude and social behaviors. The anthology, just like most of my work, from photography to fashion design, is about and around music.
Elegance is not about being noticed, it's about being remembered.
The '60s in London obviously brought about the explosion of music, the Beatles especially, and then the Rolling Stones and other forms of music, and then fashion and photography and films - kitchen-sink dramas we called them at that time, which was our nouvelle vague in Britain, films that talk about real life.
The way men are seen in photography, in fashion, and the way that men look at pictures of themselves has changed in recent years. It is a subject that has come into focus: The masculine image, a man's personal style, changing attitudes to the male face and body.
When I was at college, the idea of fashion was more immediate to me, whereas art photography, the depth of it, was a different thing. Storytelling - fanciful storytelling - can only be told through fashion photography. It's the perfect way to play with fantasy and dreams.
The point of fashion is that you take the picture you want.
And fashion is the only photography that allows fantasy, and I'm a fantasist.
I love beautiful women. I love to show their personality, their sexuality. There's a fashion side to my erotic pictures: I love beautiful shoes and jewellery. But the erotic work I do is too daring and provocative for a fashion magazine. It's more fun, and if you have the right girl who likes it, more exciting, too. It's fashion photography, but with fewer clothes.