quote by Sergei Rachmaninoff

Music is enough for a lifetime - but a lifetime is not enough for music.

— Sergei Rachmaninoff

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Jazz quote Jazz is not a what, it is a how.

Jazz is not a what, it is a how.

I have no illusions about being a genius musician.

I pride myself on being a soldier, a warrior for jazz. I trained a lot of young people, and I've learned my lessons well. I'd like to keep the flame burning.

My music is the spiritual expression of what I am — my faith, my knowledge, my being...When you begin to see the possibilities of music, you desire to do something really good for people, to help humanity free itself from its hangups...I want to speak to their souls.

Jazz is not just music, it's a way of life, it's a way of being, a way of thinking.

To play without passion is inexcusable!

Technically, I'm not a guitar player, all I play is truth and emotion.

Put it this way: Jazz is a good barometer of freedom.

.. In its beginnings, the United States of America spawned certain ideals of freedom and independence through which, eventually, jazz was evolved, and the music is so free that many people say it is the only unhampered, unhindered expression of complete freedom yet produced in this country.

Starting in the middle of a musical sentence and moving in both directions at once.

My music is the spiritual expression of what I am: my faith, my knowledge, my being.

I say, play your own way. Don't play what the public want - you play what you want and let the public pick up on what you doing - even if it does take them fifteen, twenty years.

Marijuana is taken by musicians. And I'm not speaking about good musicians, but the jazz type.

I don't believe that jazz will ever really die. It's a nice way to express yourself.

There are two kinds of music. Good music, and the other kind.

Over all, I think the main thing a musician would like to do is give a picture to the listener of the many wonderful things that he knows of and senses in the universe. . . Thats what I would like to do. I think thats one of the greatest things you can do in life and we all try to do it in some way. The musicians is through his music.

There are 100,000 total marijuana smokers in the US, and most are Negroes, Hispanics, Filipinos and entertainers. Their Satanic music, jazz and swing, result from marijuana usage. This marijuana causes white women to seek sexual relations with Negroes, entertainers and any others.

The most important thing I look for in a musician is whether he knows how to listen.

When I was a kid, some of the guys would try to get me to hate white people for what they've been doing to Negroes, and for a while I tried real hard. But every time I got to hating them, some white guy would come along and mess the whole thing up.

Each man has his own music bubbling up inside him.

If I don’t practice for a day, I know it.

If I don’t practice for two days, the critics know it. And if I don’t practice for three days, the public knows it.

I never practice my guitar. From time to time I just open the case & throw in a piece of raw meat.

Jazz is freedom. You think about that.

Jazz is my adventure. I'm after new chords, new ways of syncopating, new figures, new runs. How to use notes differently. That's it. Just using notes differently.

Jazz is the favorite music [of America].

It is a type of music invented by [American] Blacks to please their primitive tendencies and desire for noise.

Jazz is the big brother of Revolution. Revolution follows it around.

Well, I'm too old to pimp, and too young to die, so I'm just gonna keep playin'

Flow is being completely involved in an activity for its own sake.

The ego falls away. Time flies. Every action, movement, and thought follows inevitably from the previous one, like playing jazz.

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Jazz music is an intensified feeling of nonchalance.

In Europe they look upon jazz as art.

In America it's a diversion. Somebody opens a restaurant and installs another band off to the side. People don't listen.

Just because you're not a drummer doesn't mean you don't have to keep time.

Most of what I listen to now is mainstream jazz from 1935 right up to and including early bebop and cool jazz.

Gospel music rhythms are not African in origin, although I know that's what the jazz experts say.

Don't worry about playing a lot of notes. Just find one pretty one.

I will never again play anything that does not have social significance.

We American jazz musicians of African descent have proved beyond all doubt that we are master musicians of our instruments. Now what we have to do is employ our skill to tell the dramatic story of our people and what we've been through.

I think more than writers, the major influences on me have been European movies, jazz, and Abstract Expressionism.

Benny Goodman was one of the big influences as a clarinet player. That's why I wanted the clarinet.

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